Fresh Aire is the first album by new-age musical group Mannheim Steamroller. So - absolutely. So you have the two biggest extremes, and you have really soft and really just booming passages. DAVIES: If you're just joining us our guest is Yannick Nezet-Seguin the music director and conductor of The Metropolitan Opera in New York and The Philadelphia Orchestra. Veuillez réessayer. But within the final movement, this "Libera Me," the "Dies Irae" text comes back. But I think it's unique in the history of music to have been able to capture all of these elements, musically, so powerfully. GROSS: Verdi himself was agnostic. I do have different moments as a conductor, though, which I remain, to this day, maybe my most fulfilling when I conduct. PHILADELPHIA SINGERS: (Singing in Latin). And the fact that this is repeated over and over again is also incredible. So it's at the very end of this fugue - (singing in non-English language) - which is very active, very anxious, energetic, quintessentially Italian - may I say? (SOUNDBITE OF PHILIPPE JORDAN'S "MESSA DA REQUIEM: XIII. So Verdi was asked, like many of his other fellow composers in Italy, to write one movement for this giant combined requiem from many composers. So it is a written echo effect, imagining that the trumpets in the world will come from every part of the planet.
When Mannheim Steamroller cuts loose -- as on "Rondo," "Chocolate Fudge," and "Saras Band" -- they're a hoot. And it's amazing to me that he'd write such a powerful, deeply felt requiem when he wasn't Catholic. And don't get me wrong; I think that with all the fears and the bad - what's - the tragic death and everything that's bad that's happened and is still happening to our world during this pandemic, there's also hopefully some good lessons from it. Découvrez Fresh Air Interlude [Explicit] de Eazzzy sur Amazon Music. 1981 studio album by Mannheim Steamroller, Please help to establish notability by citing, Learn how and when to remove this template message, 25 Year Celebration of Mannheim Steamroller, https://en.wikipedia.org/w/index.php?title=Fresh_Aire_Interludes&oldid=848152735, Articles with topics of unclear notability from December 2011, All articles with topics of unclear notability, Music articles with topics of unclear notability, Short description is different from Wikidata, Album articles lacking alt text for covers, Creative Commons Attribution-ShareAlike License, This page was last edited on 30 June 2018, at 02:53. And the only way for a composer to be really sincere is to do it with the kind of language and vocabulary that they usually use. And that's - you know, there's usually, like, time for the notes to decay in the, you know, performing hall and, you know, a bit of silence at the end for reflection. It's a treat for me to just lay back and let the music drift over me, caressing me with what feels like waves of love masquerading in the sound of falling rain, or a passing storm. NEZET-SEGUIN: First, about the fact of the composers being agnostic - I think that Mozart, in many ways, can be considered an agnostic, too - maybe not so much Brahms. (Reading) The day of wrath, that day will dissolve the world in ashes. When faced with the hectic, sometimes chaotic, nature of juggling what passes now for a normal life…I turn to Interludes to give me a quiet slice of tranquility. There's something quintessentially vocal, lyrical and tender. Pour profiter de la musique Prime, allez sur votre Bibliothèque musicale et transférez votre compte à Amazon.fr (FR).

It's more - because it's hard maybe for me to know what I was thinking back then about this. Désolé, un problème s'est produit lors de l'enregistrement de vos préférences en matière de cookies. And it's just chilling to hear this, as all the singers are basically pleading for mercy on Judgment Day. I'm Dave Davies, in today for Terry Gross. So when we chose that piece, I remember us in Philadelphia talking - what does it mean to start a music directorship with a mass for the dead? And I'm concerned and I'm worried. It's all the danger. And there's no pride in I think wanting to show the world that maybe one part of the world is better than the other in dealing.
Votre compte Amazon Music n'est actuellement associé à aucun pays. How does Terry Gross prepare for her interviews? GROSS: What did it mean to you when you were 15 compared to what it means to you now? For more than 40 years, Fresh Air with Terry Gross has inspired and engaged audiences, both in the Greater Philadelphia area where it began as a local program on WHYY-FM in 1975 and across the country as a nationally-broadcast show since 1987. You know, the music that we play is also extremely powerful because it is silencing the outside voice for a while, and therefore silence in music is an incredibly valuable thing. And so that piece had a special importance to me because it's basically maybe encompassed all of my beliefs - a text which I knew well but with the vision of an opera composer who had a lot more to say about life but put all of his best work, arguably, in a religious text. NEZET-SEGUIN: Well, maybe the one that is truly unique - and I would count one of those moments as one of - you know, you can count on one hand, you know, of the truly - moments where if you get it right, it feels, physically, there's something happening. 1975 studio album by Mannheim Steamroller, 25 Year Celebration of Mannheim Steamroller, https://en.wikipedia.org/w/index.php?title=Fresh_Aire&oldid=899138131, Short description is different from Wikidata, Album articles lacking alt text for covers, Articles with album ratings that need to be turned into prose, Creative Commons Attribution-ShareAlike License, Don Sears – synthesizer programming, string arrangements, Mortimer Alpert, Dorothy Brown, Hugh Brown, Miriam Duffelmeyer, Ginny Eldred, Lucinda Gladics, James Hammond, Jean Hassel, Joe Landes, Karl Lyon, Bob Malec, Beth McCollum, Virginia Moriarty, Dorothy Redina, Joe Rosenstein, Merton Shatzkin, Alex Sokol, Jess Stern, Larry Sutton, Paul Todd – strings, Recorded & Engineered By Jeff Schiller, Don Sears & Ron Ubel, This page was last edited on 28 May 2019, at 03:03. You know, if they're with us, then it can last as long - you know, it could still be going on. And it might be the greatest values. But at the very end of this, all of those lines are opening up like there is no feet and no ground anymore. We're going to listen to and hear about a beautiful and awe-inspiring piece of music, Verdi's "Requiem," with our guest, conductor Yannick Nezet-Seguin. NEZET-SEGUIN: Well, I couldn't agree more with you. And to me, it's the swirls of what will accompany this storm of the last judgment, the swirl of the wind and of all the hurricanes that will take all the judged people to - who knows? And I try to believe that humankind will also see a few of those wakeup calls. We'll start with some of Yannick's first performance as music director of the Philadelphia Orchestra. DAVIES: That was part of "Libera me," the last movement of Verdi's "Requiem," with Yannick Nezet-Seguin conducting The Philadelphia Orchestra. And those descending line, you rightly pointed out, from the chorus are actually really like the judgment descending upon us. As CD technology was introduced, the Fresh Aire series was reissued and became a popular demo for its inoffensive high-mindedness as much as its dynamic range. Instead of having maybe a formalized or true accepted vision of what it is that this text means as a prayer or as a believer of one's faith. There's a problem loading this menu right now. For more than 40 years, Fresh Air with Terry Gross has inspired and engaged audiences, both in the Greater Philadelphia area where it began as a local program on WHYY-FM in 1975 and across the country as a nationally-broadcast show since 1987.


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