Hosted by Robin Young and Jeremy Hobson, Here & Now is a live production of NPR and WBUR Boston, in collaboration with public radio stations across the country.

Garrett McQueen defends what he did, saying he mixed in works by Black composers and added more contemporary music to reflect the current moment of racial reckoning in the U.S. McQueen's actions are just the latest in an ongoing movement calling for more diversity in classical music. “I think one of the biggest fears white people have is that Blacks will come in and dominate this space and take away the space from them.”. . “There is always still even that sense of not belonging when you go,” he says. Here & Now has a brand new Spotify playlist! This is not something you want to miss.

“And it also sometimes can follow me very much on the podium when I'm conducting an orchestra as well.”.

You're not sophisticated,' ” Brown says.

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Samantha Raphelson Twitter Digital Producer, Here & NowSamantha Raphelson is a digital producer for Here & Now, based at NPR in Washington, D.C.

Brandon Keith Brown, a classical conductor based in Berlin, argues that classical music can change the racial conscience of society. “But I believe classical music is the only thing that can change the racial conscience of white society in America because it polarizes society in such a strong way.”.

The empathy people experience through classical music could change everything about our daily lives, he says. What is this Interlude on Here and Now? Here & Now has a brand new Spotify playlist! It often features brand spankin’ new releases hand picked by our production engineers John Perotti and Paul Vaitkus.
Classical music has failed to attract a diverse audience because it secludes itself by race and class, Brown says. “This woke me up, to put it very frankly, to the fact that I'm Black before I'm a conductor,” he says.

Brown says he’s been listening to the concert a lot during the coronavirus pandemic because it’s “a prayer for hope” that can help give us a vision for the future.

For all fans of public radio, this is a community designed to showcase really good radio stories -- and the people who make them. You're less educated. All public radio fans welcome. It features a bass playing a repetitive line over other, quieter jazz instruments. Well, you’re in luck. Our new playlist showcases the best music interludes from each day’s show.

And if you don't, you're low class.

That’s why there are often few Black people in orchestra audiences today. It often features brand spankin’ new releases hand picked by our production engineers John Perotti and Paul Vaitkus. “And so I do speak a lot on the racial aspect, but you've got to realize that classical music is saying no to the working poor.”. Lynn Menegon produced and edited this interview for broadcast with Peter O'Dowd. Its been playing at least the last few days in between stories, and played today (8/11/16) in the first hour.

It'll be forever changed. Samantha Raphelson adapted it for the web. But I think that we can say, definitely, something will be better.”. “I mean, things, of course, are not going to go back to normal. Black people are ready and able to step into these roles, Brown says, but they haven’t occupied more space because white people want to keep the status quo. Stream ad-free or purchase CD's and MP3s now on Amazon.com. New Playlist: Best Music Interludes From NPR’s Here & Now.
August 31, 2020 • NPR member stations bring you a mix of the most popular songs on their airwaves, including music from Sylvan Esso, Little Simz, SAULT, Paul Weller, Afel Bocoum and more. Like a tune you heard between segments?

The bass line has been stuck in my head and I cannot find the song on the Here and Now music from the show blog. In an orchestra’s advertising, promotionals are often “just saying, 'We're playing in this hall. ", “I believe that only classical music can save itself,” Brown says. Well, you’re in luck. Thanks! This segment aired on September 14, 2020. Co-Host, Here & Now Before coming to WBUR to co-host Here & Now, Jeremy Hobson hosted the Marketplace Morning Report, a daily business news program with … Sharon Jones and The Dap Kings join us on stage to play a song. Its been playing at least the last few days in between stories, and played today (8/11/16) in the first hour.

Our new playlist showcases the best music interludes from each day’s show. Orchestra halls are historically spaces for upper-middle-class white people “to separate themselves from people of lower class and people that are different than them,” he says. Press question mark to learn the rest of the keyboard shortcuts.

Thanks! save hide report. “Every time you've given Black people access to an art form, athletics, we have dominated,” he says. 0 comments. Tonya Mosley Twitter Co-host, Here & NowTonya Mosley is the LA-based co-host of Here & Now. Less than 2% of musicians in U.S. orchestras are Black, and only 4.3% of composers are Black. In other words, classical music is not welcoming new people into its world. Last week, Minnesota Public Radio fired its only Black classical music host for changing up the station's music lineup without permission. One particular piece of music really speaks to Brown’s argument: “Calm Sea and Prosperous Voyage” by Felix Mendelssohn. “And maybe the police would stop shooting us.”. The bass line has been stuck in my head and I cannot find the song on the Here and Now music from the show blog. This sense of not belonging extends to classical music itself, Brown says, because it is historically an elitist art form. People won't grab their purse when I pass by and switch it to the other side,” he says. “For me right now, this is one of the only pieces that gives me this calm and a sense that eventually things will be better,” he says. KCRW creates & curates music discovery, NPR news, cultural exploration and informed public affairs. “I will never be seen as an orchestra conductor before I am Black.”. Like a tune you heard between segments? “If we can remind people that we're all human and we have the same feelings through sound, if we could do it through this way,” he says, “I think that this is something, the shared empathy that will go out into the street.”.

Press J to jump to the feed. From Los Angeles to around the world, KCRW.com. He recently penned a Medium article titled "It's Time To Make Orchestras Great Again — By Making Them Blacker. You can see it in advertising for classical music performances, he says, which tends to ignore the exchange of cultures. By the way, if you ever hear an interlude you can’t find in our new playlist, you can see the full lists of songs used in the show here. Check out NPR Michigan Public Radio (Interlude) by Fable The Poet on Amazon Music. You should come in. It features a bass playing a repetitive line over other, quieter jazz instruments.

As a conductor, Brown says it’s his responsibility to “reach across racial lines” and bring more people in. share.

Classical music has failed to attract a diverse audience because it secludes itself by race and class, Brown says. “This is something that is going to allow us to sit next to each other on the train without white people getting up when I sit down.

A concert hall is a magical place, but as a Black man, Brown says it is made abundantly clear that those spaces are made for white people.


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