His oeuvre ranges across war movies, crime dramas, sci-fi and fantasy films, melodramas, comedies and westerns. Toll has collaborated with many of the world’s most celebrated directors – including Francis Ford Coppola, Edward Zwick, Terrence Malick, Mel Gibson, John Madden and many others. Toll is also in constant search for new ways of cinematic expression; this could be seen in last year’s Billy Lynn's Long Halftime Walk which he shot for director Ang Lee in 4K, 3D and 120 frames per second. Toll and the production crew of Legends of the Fall shooting the battle sequence. The award is named after Nikola Tesla, the Serbian-American revolutionary engineer and inventor whose devices and discoveries laid the foundations of many branches of modern science. Toll behind the camera while shooting The Thin Red Line. He has photographed war movies, crime dramas, science-fiction and fantasy films, melodramas, comedies and westerns, in each and every one of them being at the service of the director and his vision, while at the same time making them somehow his own. His mentors include DP John A. Alonzo on director Martin Ritt’s “Norma Rae” and Brian De Palma’s “Scarface.” He also worked with cinematographers such as Jordan Cronenweth on Francis Ford Coppola’s “Peggy Sue Got Married,” Conrad Hall on Bob Rafelson’s “Black Widow,” Allen Daviau on John Schlesinger’s “Falcon and the Snowman” and Robbie Greenberg on Karel Reisz’s “Sweet Dreams.”. Cinematographer John Toll to Receive Camerimage Lifetime Achievement Award DP received back-to-back Oscars for “Legends of the Fall” and “Braveheart” John Toll – the cinematographer best known for his collaboration with such directors as The Wachowskis, Ang Lee, Mel Gibson, Francis Ford Coppola, Terrence Malick, Cameron Crowe, Edward Zwick and Vince Gilligan – will be honored with the Camerimage Lifetime Achievement Award during the upcoming 25th anniversary edition of the International Film Festival of the Art of Cinematography. INTERNATIONAL PRESS ACADEMY HONORS TOM FORD WITH THE PRESTIGIOUS AUTEUR AWARD, INTERNATIONAL PRESS ACADEMY HONORS EDWARD JAMES OLMOS WITH THE PRESTIGIOUS MARY PICKFORD AWARD. Variety and the Flying V logos are trademarks of Variety Media, LLC. Toll is an American cinematographer and two-time Academy Award winner with over four decades of experience in film and television. Quote. Toll’s eye for detail and light made the story authentic and shaped by many shades of human nature. When working on epic Hollywood films, he used light, shadow and camera movement to create striking moments of intimacy that define characters, while infusing smaller projects with beautiful scope and a sense of exceptionality. John Toll is one of only four cinematographers who won two Academy Awards back to back. At the same time, Toll was very conscious of his career choices and never rushed his debut as a cinematographer, preferring to wait for the right opportunity. He has collaborated with such filmmakers as The Wachowskis, Ang Lee, Mel Gibson, Francis Ford Coppola, Terrence Malick, Carroll Ballard, Cameron Crowe, Edward Zwick and Vince Gilligan, among many others. The award statuette was designed by noted sculptor Dragan Radenović, whose works are in the private collections of Kirk Douglas, Sophia Loren and Princess Grace of Monaco. Toll selects his projects very carefully — in the quarter of a century that has passed since his debut on Wind, he shot 22 feature films and took part in filming two TV shows, returning to the television medium in which he learned some of his craft in the 1970s and ’80s. John Toll is one of only four cinematographers who won two Academy Awards back to back. On Mel Gibson’s “Braveheart,” Toll complemented the romantic pathos of the struggle for independence with the down-to-earth bravery of people who went to war to protect their loved ones. His work spans across a wide array of genres, including science fiction, epic period pieces, drama and comedy. Toll’s recent work will set a new bar in the future of digital filmmaking with the use of Sony F65 cameras in 3D for “Billy Lynn’s Long Halftime Walk”. © Copyright 2020 Variety Media, LLC, a subsidiary of Penske Business Media, LLC. You will be redirected back to your article in. He worked as a camera operator on “ Norma Ray” in 1978 and is one of only four cinematographers to win back-to-back Academy Awards for Best Cinematography. He has won BAFTA and ASC honors and the National Board of Review of Motion Pictures ‘Career Achievement Award for Cinematography. Camerimage International Film Festival of the Art of Cinematography. DP received back-to-back Oscars for “Legends of the Fall” and “Braveheart”. Toll has been lensing film and TV projects for more than four decades.
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He worked as a camera operator on “Norma Ray” in 1978 and is one of only four cinematographers to win back-to-back Academy Awards for Best Cinematography. This turned to be Carroll Ballard’s 1992’s Wind, a tale of young and ambitious America’s Cup sailor who faced both uncontrollable forces of nature and his inner limitations as a human being. Toll’s third Academy Award nomination came for his collaboration with Terrence Malick on The Thin Red Line, a philosophical war film in which the cinematographer contrasted the constant cruelty of the human kind with the eternal beauty of nature.
It was Toll who shot with Vince Gilligan the pilot episode of Breaking Bad, setting the visual tone of the project that has since become known as one of the best TV series ever made. Toll received an Academy Award for his work on Legends of the Fall, as well as an Academy Award a year later for his cinematography on Mel Gibson’s Braveheart, in which he complemented the romantic pathos of the struggle for independence with the down-to-earth bravery of people who went to war to protect their loved ones. Toll has most recently been shooting Netflix sci-fi series “Sense8.” His 2016 feature, Lee’s “Billy Lynn’s Long Halftime Walk,” was a technical groundbreaker – shot digitally at 120 frames per second (vs. the traditional 24) and at 4K resolution in 3D. When comedian Jerry Lewis accepted the award for his industry-standard “video assist” technology, he said, “This is the most important award I have ever received.” And, James Cameron showed off his latest camera technology when he received this award. This may be the common denominator of most of Toll’s films, from Cameron Crowe’s musical drama Almost Famous to The Wachowskis and Tom Tykwer’s Cloud Atlas, a tale set in six different time periods in the past, the present and the future. “You are reluctant to think about whether or not you might be making a great film while you are actually making it. is a Cleveland-born American cinematographer.
Cinematographer's Best: John Toll May 15, 2018 11:33:36 GMT . His peers have praised him for his use of light, shadow and camera movement to create striking moments of intimacy that define characters. Read Next: Inside the Stunts of Disney’s ‘Secret Society of Second-Born Royals’ (Watch), ‘Ford vs. Ferrari’ Director James Mangold to Receive AIS Harold Lloyd Award, Robert Richardson and Quentin Tarantino to Receive Cinematographer-Director Duo Award at Camerimage, Danny DeVito to Receive Camerimage Lifetime Achievement Award for Acting, How BTS and Its ARMY Could Change the Music Industry, ‘The Lion King’ Follow-Up in the Works With Director Barry Jenkins, Mac Davis, Singer, Actor and TV Variety Show Host, Dies at 78, Helen Reddy, ‘I Am Woman’ Singer, Dies at 78, YouTube TV Says It’s Dropping Sinclair’s Fox Regional Sports Networks, 'The Masked Singer' Shocker: Here’s the Identity of Gremlin, Who Yanked His Own Mask Off, Gabrielle Union and 'America's Got Talent' Reach Settlement Over Workplace Toxicity Accusations, President Donald Trump Tells Hate Group Proud Boys to ‘Stand Back and Stand By’, ‘Riverdale,’ ‘Batwoman,’ ‘Big Sky,’ ‘Nancy Drew’ and ‘Charmed’ Shut Down Over Testing Delays in…, Presidential Debate Moderators Will Get ‘Additional Tools’ to Keep Order, ‘Ms. By binding the effective spectacle of depicting the Guadalcanal campaign with the intimacy of experiences of individual American soldiers, Toll has yet again proven that he is above all interested in human beings, with all of their weaknesses and doubts. This year’s recipient of Camerimage Lifetime Achievement Award will be more than glad to share his knowledge and experiences with the festival’s participants during a series of meetings that will take place in Bydgoszcz. He won back-to-back Academy Awards for Best Cinematography in 1994 and 1995, for the movies Legends of the Fall and Braveheart. In his next project, Zwick’s “Legends of the Fall,” the main characters live in isolation surrounded by wild and beautifully photographed nature. Quoting Ang Lee; “This is really the beginning of a quest for new storytelling. We’re at the start of finding out what digital cinema can do.” The camera was used in a hyper-realistic way to put the viewer in up-close battlefield combat. The event will be held in Bydgoszcz, Poland, from November 11 to 18. Act now to receive 12 issues of the award-winning AC magazine — the world’s finest cinematography resource. John Toll, ASC to Receive Camerimage Lifetime Achievement Award. Toll won in 1994 and 1995, for “The Legends of the Fall” and “Braveheart”. Toll is one of only four cinematographers to win two Academy Awards back to back. If it comes out to be great, you won’t know till later.
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Toll joins a prestigious list of past recipients, including famed creature make-up artist Rick Baker, legendary director Richard Donner, Steadicam inventor Garrett Brown, visual effects pioneer Douglas Trumbull, nine-time Oscar winner for visual effects Dennis Muren, master make-up creator Stan Winston, “Star Wars” mastermind George Lucas, the entire company of Industrial Light and Magic and Walter Murch, Oscar winning editor and sound pioneer. Cinematographer John Toll to Receive Camerimage Lifetime Achievement Award DP received back-to-back Oscars for “Legends of the Fall” and “Braveheart”