Alongside a full cast of passionate, technically proficient performers, it was mesmerising, funny and beautiful, with very little to fault. As with her previous works, Masilo’s will be a feminist revision. Masilo herself, as choreographer and performer, is not only ingenious as a creator but also astounding as Giselle. Impressive suspended turns and strongly hit balletic extensions gives their duet elaboracy and pomp. In her production “Swan Lake,” she reimagines Tchaikovsky’s classical ballet as a tale of spurned love, illness, and homophobia. Additional funding from the … Dada Masilo / The Dance Factory The Joyce Theater New York, New York. Award-winning South African choreographer Dada Masilo presents a torrid retelling of the tragic-romantic ballet, Giselle.By setting the work in rural South Africa, Masilo imbues this version with African rituals and ceremonies as she highlights the themes of betrayal, heartbreak, … Giselle does not forgive. She unravels — physically, emotionally, mentally — and eventually collapses and dies. The use of nudity is brave and uncomfortable – used as a way to shame, to force a young girl to ‘prepare’ for a marriage being imposed on her. Emon Hassan for The New York Times Reworking ballets isn’t new … Choreographed by Dada Masilo March 24 & 25, 6pm Please join us on Friday, March 24 and Saturday, March 25 at 6pm for an evening of choreography and conversation in connection with the exhibition Romare Bearden: Bayou Fever and Related Works . The work evokes powerful emotions and the reality of a community – all adding to the depth of the story-telling. Masilo has spoken in interview about the way she continues to challenge herself to take on new movement styles and something unique to her work is the blend of styles, ranging from classical ballet, contemporary, traditional African dance to physical theatre. New York Dada began c. 1915, and after 1920 Dada flourished in Paris. With her tiny frame and bald head, her presence is at once striking and delicate. Dada Masilo’s Giselle is set in a swampy region of South Africa suggested by William Kentridge’s subtly evocative drawings. Known for her reworking of classical ballets, she realized Romeo and Juliet in 2008 and Carmen in 2009. April 3, 2018 Dada Masilo’s ‘Giselle’ Jerry Hochman. As with previous works, this will be a feminist Choreographed by Dada Masilo March 24 & 25, 6pm Please join us on Friday, March 24 and Saturday, March 25 at 6pm for an evening of choreography and conversation in connection with the exhibition Romare Bearden: Bayou Fever and Related Works . Dada (/ ˈ d ɑː d ɑː /) or Dadaism was an art movement of the European avant-garde in the early 20th century, with early centres in Zürich, Switzerland, at the Cabaret Voltaire (c. 1916). Award-winning South African choreographer Dada Masilo presents a torrid retelling of the tragic-romantic ballet, Giselle. Dada Masilo‘s Interpretation. She liked street dancing to Michael Jackson and was only introduced to … Masilo has chosen to work on choreographies whose stories involve a strong, protagonist woman, who are are usually victimized and then die: Juliet, Ophelia, Carmen, Odette. “I’d always been intrigued by the Wilis. Dada Masilo / The Dance Factory The Joyce Theater New York, New York. The piece opens in a South African village, where Masilo plays the titular role – a trusting peasant girl who is thrust into a world of betrayal and shame when her lover rejects her. The choreography in Dada Masilo’s Giselle incorporates traditional African Tswana dance alongside ballet and contemporary dance. Would you … After all, hell hath no fury like a woman scorned, and this Giselle is certainly that! South Africa’s award-winning choreographer Dada Masilo enthrals at Nottingham Theatre Royal with her ‘fearless re-imagining’ of the iconic classic dance work – Giselle. The peasants gathered in a loose and carefree huddle as they share a native dance and cheer. Dada Masilo gives us a Giselle for the twenty-first century; a heroine we identify with and a phenomenal production that makes us feel, writes Hannah Hutchings-Georgiou. It’s the first time that a work by Ms. Masilo, 30, has come to New York, although she appeared in the city recently in “ Refuse the Hour,” a performance work … At the age of 19, she was accepted as a student at the Performing Arts Research and Training Studios in Brussels, where she remained for two years. She cannot rest in peace but turns into a wili, a ghost of a girl who still has a desire for dance that she could not satisfy during her short life. Copyright © 2020 The The Wonderful World of Dance, All rights Reserved. South African Dada Masilo is a rising talent in the dance world. Giselle is still a young girl, The Wilis still a spiritual tribe who are bloodthirsty for revenge and the leader of … Masilo’s vision is of grief, heartbreak, anger and revenge. After seeing Dada Masilo's rendition of Giselle, I couldn't help thinking, "If ballet did a version like this, it would transform not just the genre of the 'story ballet,' but, even more powerfully, the narrative of the "ballerina" itself.". Dada Masilo's GISELLE is the choreographer's fourth substantial reinterpretation of a great classic.A young girl dies after having been betrayed by a man. Giselle does not forgive. Masilo’s own movement is characterised by sharp, fast-twitch movements, that scuttle across the floor a little like a sped-up cartoon. At the age of thirty she is at the peak of her dance career and is just beginning to take on the world with her dances. 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