[3] In Contemporary Musician (1998), Mary Alice Adams examined the personal impact of his debut album on listeners: To his fans, Maxwell's Urban Hang Suite lures them into the heart of a romantic encounter that ends with a marriage proposal. "Ziggy Stardust" is the ninth track on the Bowie's fifth studio album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, released on 16 June 1972 by RCA Records. Page Content, [9] Maxwell's Urban Hang Suite closes with the instrumental track "The Suite Theme". [2] During the next two years, Maxwell wrote and recorded over three hundred songs and played frequently at small venues throughout New York City. Maxwell's House of Soul; Romantic Debut Is Quite a Concept, Maxwell's Urban Hang Suite: Editorial Review, #5: Maxwell 'Ascension (Don't Ever Wonder)', Albums Charts: Maxwell's Urban Hang Suite, Gold & Platinum - Searchable Database: Maxwell, The Billboard Hot 200: Maxwell's Urban Hang Suite - Oct 05 1996, MusicHound R&B: The Essential Album Guide, "Don't Believe the Gripe: The Death of the Death of the Death of the Death of Rock and Roll", Radio 1 Listeners Top 50 Albums of 1993-2003, Maxwell Thrills Them at New York's Supper Club, Maxwell's Urban Hang Suite: Billboard Albums, https://www.billboard.com/artist/310195/maxwell/chart?f=412, https://www.billboard.com/artist/310195/maxwell/chart?f=415, "British album certifications – Maxwell – Maxwell's Urban Hang Suite", "American album certifications – Maxwell – Maxwell's Urban Hang Suite", https://en.wikipedia.org/w/index.php?title=Maxwell%27s_Urban_Hang_Suite&oldid=1008751722, Articles with dead external links from February 2019, Articles with dead external links from June 2017, Articles with permanently dead external links, Cite certification used for United Kingdom without ID, Short description is different from Wikidata, Album articles lacking alt text for covers, Certification Table Entry usages for United Kingdom, Pages using certification Table Entry with shipments figures, Certification Table Entry usages for United States, Pages using certification Table Entry with shipments footnote, Wikipedia articles with MusicBrainz release group identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 24 February 2021, at 21:48. Standard shipping is free for all orders and will be processed by the United [2] The demo engendered interest, and his official debut concert performance at Manhattan nightclub Nell's drew a crowd. [32], Maxwell's Urban Hang Suite received positive reviews from critics. [28], In the period before its release, Maxwell wrote and demoed songs for a subsequent studio album, and embarked on an African American college tour with Groove Theory and the Fugees. The bullies had asked him if he wanted to hang out, and he explains to the group he "shouldn't have said yes." The Stylistics featuring Russell Thompkins Jr. [7] After the recording sessions ended in March 1995,[2] Urban Hang Suite was mixed by P.M. (Peter Mokran) and audio engineer Mike Pela, after which it was mastered by Tom Coyne at Sterling Sound in New York City. [29] The gold-certified single "Ascension (Don't Ever Wonder)", which had shipped 500,000 copies in the US by October,[30] was considered by music journalists to be a significant factor in consumers' increased interest in the album. Along with D'Angelo's Brown Sugar (1995) and Erykah Badu's Baduizm (1997), the album provided commercial exposure to neo soul and has since been cited by several critics as Maxwell's greatest work. "[44] In The Rolling Stone Album Guide (2004), Arion Berger later said, "[Maxwell's] laid-back romanticism has heat at its core and a powerful groove that grounds the music: By varying the push of the beat but retaining the central mellow vibe, Maxwell creates a sound as felicitous on headphones as it is in the bedroom. [1], Maxwell recorded his debut album between 1994 and 1995 at Electric Lady Studios, RPM Studios, Sorcerer Studios and Chung King Studios in New York City, and at CRC Studios in Chicago, Illinois. [1] During the recording sessions, Maxwell worked extensively with collaborators, including Matthewman, soul singer-songwriter Leon Ware, and funk guitarist Melvin "Wah-Wah Watson" Ragin. Used under license by Direct Holdings Americas Inc., which is not affiliated with Time Warner Inc. or Time Inc. You’re the First, the Last, My Everything, Sharon Paige and Harold Melvin and the Blue Notes, Norman Connors featuring Michael Henderson, You Don’t Have to Be a Star (To Be in My Show). [7], Although one of his earliest influences was early 1980s urban R&B,[1] Maxwell's Urban Hang Suite was inspired by the sounds and themes of classic soul artists such as Marvin Gaye, Curtis Mayfield, Barry White, Stevie Wonder and Prince . Various. Feel free to open and try out every product you receive, without commitment. The only way I can pay homage to that feminine thing--not necessarily women but to what they represent as creative forces--is by getting artistic and making music. The magazine highlighted Maxwell's showmanship, "down-to-earth" attitude and body movements including dropping down to his knees, swiveling his hips in a "slow grind", and crawling across the stage while singing. ... As for cover version and remakes, that might be a reference to songs like Jose Feliciano’s version of the Doors song, Light My Fire. [8][9][10] According to Prince biographer Alex Hahn, Maxwell adopts the singer's sound and style, particularly from songs such as "Do Me, Baby" (1982) and "Pink Cashmere" (1993),[11] while The New York Times's Amy Linden said that he "melds a soft-spoken singing style with the fluid, spacious grooves often associated with the cocktail funk of Sade". [26], After Maxwell's Urban Hang Suite was completed,[3] the finished recordings were presented to Columbia Records in mid 1995. Top Classic Country Songs for Acoustic Guitar. The new sound was elegant, sophisticated, and emotionally charged. [57] In Songs in the Key of Black Life: A Rhythm and Blues Nation (2003), writer Mark Anthony Neal cited the album as one of the most popular of neo soul recordings, along with Musiq Soulchild's Aijuswanaseing (2000) and India.Arie's Acoustic Soul (2001), that helped to redefine the boundaries and contours of black pop and R&B.[58]. The ‘70s produced some of the most unforgettable ballads of all time. You’ll get 8 more CDs with all of the best soulful and mellow classics, including hits like “I've Got Love On My Mind” by Natalie Cole, “Never Too Much” by Luther Vandross, “Reasons” by Earth, Wind and Fire, “Saving All My Love For You” by Whitney Houston, and many more. [2] Regarding the cover, Maxwell later said "I wanted people to have the facts: the title, the selections and the fact that you had to basically buy it. Once you get the hang of the chords, you can tackle the signature opening ... Watch Now: Learn How to Fingerpick on a Guitar Top 70s Songs for Acoustic Guitar. Killing Me Softly With His Song: Killing Me Softly With His Song: 84: 84. If for any reason you are not completely satisfied with a Time Life product, [2], Writing for Vibe, OJ Lima said the record was a "refreshing detour from hump-bouncin' '90s R&B",[16] while Dimitri Ehrlich from Entertainment Weekly wrote that Maxwell "smooths hip-hop's and soul's edges, proving that black dance music doesn't automatically mean ghetto culture. [2] Music journalists inferred that the album was inspired by or based on an unsuccessful affair in Maxwell's life. As for the meaning of the lyrics, my belief is that it refers to someone who has lost his way (perhaps involving drinking and drugs-lots of that in the 70s) and who is trying to find his way out of it. Obviously women at 12 or 13 get either cursed or blessed with the fact that they're vessels for human life to come through. After success in the mid-'70s with one of the first all-female rock bands, The Runaways, Joan Jett went on to greater success with her own band, The Blackhearts.Their first album, 1981's "I Love Rock 'n' Roll," was an immediate hit.In addition to her talent as a vocalist, Jett has distinguished herself as a guitarist, songwriter, and producer. [3] Maxwell told Interview's Dimitri Erhlich that his main muse for Urban Hang Suite was women, and further elaborated on his inspiration, stating: I think creativity is innately feminine. Feliciano’s version reached #3 in 1968, a year after the Doors topped the charts with it. [2] They assigned Chicago-based, English producer and multi-instrumentalist Stuart Matthewman to the project, but he only produced the first few tracks. [2] After earning a considerable reputation, Maxwell signed a recording contract with Columbia Records in 1994. "[40] Peter Shapiro was more critical, panning Maxwell's lyrics and calling the album an "overly mannered pastiche of early 70s soul ... all style and no substance". The album containing the song may have been released in 1978, but this song will always remain me of that time period and it was definitely 1977. [1][27] The label's executives also feared that his romantic concept and image would not appeal to listeners. [53] In commenting on the "new soul revival" in music, Maxwell told Entertainment Weekly in 1997 that "everything out there musically was inspired or influenced by something from the past. [4] The two opening tracks both contain prominent funk influence. In the late 1960s and early 1970s, the place to be was the Hollywood Hills area of Laurel Canyon. Recording Industry Association of America, Pop View: Young Crooners Learn the Subtle Art of Seduction. [1] Prior to working with Maxwell, Ware and Ragin were collaborators of soul musician Marvin Gaye;[1] Ware had produced and composed most of Gaye's tenth album I Want You (1976). 323. [6], Production assistance and instrumentation from such veteran session musicians contributed significantly to Urban Hang Suite's vintage overtones and classic R&B influences. [25] The song has been covered by gospel artists such as Londa Larmond and LaShun Pace. And that's what music--what creativity--is to me. [19] Over the course of the album, Maxwell details a single passionate encounter. ... Holiday Hang with Mary Ellen and Family. [8][16] In an interview with music journalist Mark Coleman, Maxwell cited his respect for African-American women as the inspiration for the respectful nature of his lyrics towards women. [3] Already a fan of what he described as "jheri curl soul", which was the trademark of early 1980s R&B acts such as Patrice Rushen, S.O.S. [10] In 2002, it was certified double platinum,[30] and by 2008, it stood as Maxwell's best-selling album, having sold 1,790,000 copies, according to Nielsen SoundScan. It's not about creating some super-fresh new thing. This is a nice and easy song by Van Morrison that you should be able to learn the chords to quickly. "[39] Stylus Magazine ranked it at number six on their list of the Top Ten Albums from 1996. [20] On April 20, it made its chart debut at number 38 on the Top R&B/Hip-Hop Albums in the United States. The Real '70s. That’s a total savings of $46.98! Jump to: [43] In American Visions, Michael George wrote, "In an age where young, black artists are criticized (often rightly so) for misogynistic lyrics, Maxwell's focus on commitment is refreshing. [27] The album's success also earned Maxwell his own MTV Unplugged special, which was a popular measure of mainstream success for recording artists in the 1990s. [1][53] Along with D'Angelo's Brown Sugar (1995) and Badu's Baduizm (1997),[53] Urban Hang Suite has been recognized by writers for beginning neo soul's popularity and helping the genre obtain commercial visibility. I wanted people to come to the music and not base any opinion on the image". That’s a total savings of $44.98! [16] The album contains elements of funk, jazz, contemporary R&B and quiet storm,[4] and it is mostly composed of sexual balladry and slow jams.[17][18]. Audiophile Journeys with a PC: Subjective Listening - Arrrgh! Portrayed by Topher Grace: The protagonist; Eric is a nice guy, generally geeky, physically slight, and somewhat clumsy.He is a smart-aleck with a fast wit and a deadpan sense of humor. [24] Co-written by songwriter Itaal Shur,[7] "Ascension (Don't Ever Wonder)" opens with a funky groove and bass line, and features a forceful rhythm and rough funk sound. States Postal Services (USPS) in the United States and Canada Post in Canada. Don McLean American Pie (1971) [Single] American Pie: American Pie: 82: 82. [20] Maxwell has described the themes and his thoughts on romance as "idealistic" on Urban Hang Suite. I guess being a man is a truly physical state and mentally it's a little bit limiting. [54][55] However, in contrast to D'Angelo, Maxwell was more conventional in his approach on his debut album. [48] For the record, Maxwell was nominated for the 1997 Grammy Award for Best R&B Album,[4] received three NAACP Image Award nominations,[44] and wins in the categories of Best Male R&B/Soul Album and Best Male R&B/Soul Single (for "Ascension"), as well as Best R&B/Soul or Rap New Artist, for the 1997 Soul Train Awards. Site Navigation. Top 60s Songs for Acoustic Guitar. purchase price to your original form of payment. [1], At 19, Maxwell began performing throughout the New York club circuit while supporting himself by waiting tables during the day. [15] The songs "Whenever Wherever Whatever" and "Lonely's the Only Company (I & II)" are ballads that contain themes of vulnerability to love. Now all the great soul legends and the lush, sweet sounds of the 70’s are together in one collection – Sweet Soul of the ‘70s! [2], Maxwell's following studio albums were received less enthusiastically by critics, who were more critical of his songwriting on his next two studio albums, Embrya (1998) and Now (2001). [15] Roni Sarig wrote that their "early '80s full-band R&B and jazz pop grooves are reminiscent of Maze's brightest days and Steely Dan's coolest nights. [1] Raised in the borough's East New York-section, Maxwell's previous musical experience included his beginnings as a singer in the congregation of his Baptist church,[2] which had become an integral part of his life after the death of his father in a plane crash. [28] Columbia reached a compromise with Maxwell and used a promotional shot of him as the back cover. The resulting music features a mellow, groove-based sound with elements of funk, jazz, smooth soul, and quiet storm. [30] It spent seventy-eight weeks on the Billboard 200 albums chart,[31] while becoming a Top 30 chart hit in the United Kingdom. [2] Maxwell made matters worse by refusing to allow his picture to be placed on the album's front cover; instead he preferred to have the track listing and other information he felt was more important about the album in place of his photo. [51], Along with musicians D'Angelo and Erykah Badu, Maxwell was credited with helping to shape the "neo soul" movement that rose to prominence during the late 1990s. Orchestral and vocal solo holiday music. [2] Matthewman had previously worked with English R&B and jazz group Sade. The ‘70s produced some of the most unforgettable ballads of all time. April 23 / Beacon Theatre / New York, NY The Monday night screening of the documentary Horses: Patti Smith and Her Band was, after all, another star-studded Tribeca Film Festival premiere, so the appearances of the likes of Clive Davis, Jon Landau, and Jimmy Iovine wasn't exactly unusual. [27] That year, Rolling Stone voted him Best R&B Artist. "[13] Jim Farber of the New York Daily News called it "one of the few modern sex albums to offer a sense of succor",[42] and Urban Latino hailed it as "one of the most soulful releases of the year", writing that Maxwell exhibited "the soul of Curtis Mayfield, the poetics of Beni More and the stage presence of Michael Jackson, pre-Thriller". FREE CD, FREE S&H, plus a special discount! "[3] In his book A Change Is Gonna Come: Music, Race & the Soul of America (2006), Craig Hansen Werner lists Maxwell's Urban Hang Suite as important in neo soul, including it along with R. Kelly's R. (1998), D'Angelo's Voodoo (2000), the Young Disciples' Road to Freedom (1991), Aaliyah's self-titled final release (2001), Faith Evans' Keep the Faith (1998) and "anything by Seal" as among "the starter kit" for the genre. Maxwell largely wrote and produced the album himself, recording in sessions at Electric Lady Studios, RPM, Sorcerer, and Chung King Studios in New York City, and CRC Studios in Chicago. Band and Rose Royce, Maxwell began to teach himself to play a variety of instruments. [56], Maxwell's role in writing and producing the album exhibited a level of artistic control by an R&B artist that was uncommon in the recording industry at the time. Time Life Presents the ’60s – the Definitive ’60s Music Collection, Thanks for the Memories: The Bob Hope Specials, Soul music filled with lush orchestrations, unforgettable melodies, heavenly harmonies and great vocalists. But what I'm talking about is not a person's 'female side' or 'male side'. [7], Guitars: Wah Wah Watson, Stuart Matthewman, H, Maxwell Keys: Amp Fiddler, Federico Pena, Itaal Shur, David Gamson, Stuart Matthewman, Maxwell Bass: Mike Neal, Gary Foote, Jonathan Maron, Stuart Matthewman Drums/Beatmachine: Gene Lake, Stuart Matthewman, Itaal Shur, Peter Mokran, David Gamson, Maxwell Percussion: Bashiri Johnson, Karl Vanden Bossche, Gregory Marsh Horns: The Beverly Soul Sextion Saxophone: Stuart Matthewman Trombone: Clark Gayton Trumpet: Kevin Batchelor French horn: Vincent Chauncey Cello: Erik Friedlander, Rufus Cappadocia Voices: Maxwell, Produced or co-produced by Maxwell with Stuart Matthewman or Peter Mokran Additional production assistance: H (Mike Humphries), Wah Wah Watson (Melvin Ragin) and Itaal Shur Written by Maxwell or co-written with Hod David, Stuart Matthewman, Leon Ware, Itaal Shur or Melvin Ragin Recorded at Electric Lady (NYC), RPM (NYC), CRC (Chicago), Chung King (NYC), Sorcercer (NYC) Engineers: Mike Pela, Peter Mokran and Ed Tuton Assistant engineers: Michael Nuceder, Jamie Campbell, Brian "Mr. Bones" Kinkead, Phil Castellano, John Seymour and Ron Lowe Mastered by Tom Coyne at Sterling Sound (NYC) Art direction: Stacey Drummond and Julian Peploe Photography: Eric Johnson Photo assistance: Michael Stryder and Jamel A&R direction: Mitchell Cohen, Arranged and produced by MUZSE Mixed by Peter Mokran, Written and produced by Maxwell and Stuart Matthewman Mixed by Mike Pela, Written by Maxwell and Leon Ware Produced by Maxwell Mixed by Mike Pela, Written by Maxwell and Itaal Shir Produced by Maxwell Mixed by Mike Pela, Written by Maxwell and Hod David Produced by Maxwell Mixed by Mike Pela, Written by Maxwell and Hod David Produced by Maxwell and Peter Mokran Mixed by Peter Mokran, Written by Maxwell Produced by Maxwell and Peter Mokran Mixed by Peter Mokran, Produced by Maxwell Arranged by Maxwell and Federico Pena Mixed by Peter Mokran. [7] They also composed three of the album's eleven tracks together. He adopted his middle name as a moniker out of respect for his family's privacy. ^ Shipments figures based on certification alone. [16] "Suitelady (The Proposal Jam)" completes the album's concept of monogamy with lyrics depicting a marriage proposal from Maxwell. [5] Columbia executives reluctantly gave Maxwell creative freedom in his contract and were hesitant to allow him produce the album alone. "Sumthin' Sumthin'" was written by Maxwell and, The funk and gospel-influenced "Ascension (Don't Ever Wonder)" was co-written by, Track listing and credits as per liner notes for Maxwell's Urban Hang Suite album. "What He Does Want Is to Make Beautiful Music". [40] Maxwell's Urban Hang Suite has since been cited by several critics as his best album,[41][40] including Stephen Cook from AllMusic, who said it was "destined to become a classic contemporary R&B disc". Holiday hits from pop stars of the '70s, '80s, & '90s. [30] By 1997, the album had shipped one million copies, earning platinum status from the RIAA. [25], Cited by Blender magazine as one of the "Greatest Make-Out Songs of All Time", "...Til the Cops Come Knockin'" contains sexually explicit lyrics and a slower tempo than its preceding tracks. Rock stars, folkies, and the core of what would become the California country-rock movement lived there or stopped by for shindigs at Mama Cass Elliot's pad. [41] In The Village Voice, Robert Christgau jokingly accused Maxwell of "expiring of Afrocentric texturitis",[45] while rating the album a "dud",[46] which indicated "a bad record whose details rarely merit further thought". If it doesn't lend itself to your history, how is it going to extend to your future? A flashback episode shows when Fez first meets the others, except Jackie. [2] He was able to gain access to a 24 track recording studio and started to record songs for a demo tape, which he circulated among his friends. [11] The term "neo soul" was penned in the late 1990s by record executive Kedar Massenburg, who managed both D'Angelo and Erykah Badu. [1][22] Maxwell said in an interview, "I'm so innately romantic and always have been, and I went through this particular romantic experience and based my album on that". 324. [16] "Welcome" features the album's prominent sexual vibe, and contains a quiet storm sound and saxophone. [41] Maxwell was also compared to soul singers of the 1960s and 1970s. [60] Essence writer Jeannine Amber compared his stage presence to Teddy Pendergrass. It was recorded in 1994 and 1995, then released on April 2, 1996, by Columbia Records. [1][3] The marketplace dominance of hip hop soul in 1995 was in contrast with Maxwell's monogamous themes and older soul influences, which Columbia worried would be interpreted as old-fashioned. He was credited with shaping the "neo soul" movement of musicians that rose to prominence during the late 1990s. A concept album, Maxwell's Urban Hang Suite was composed as a song cycle that focuses on an adult romance, based in part on Maxwell's personal experiences. Classical Christmas. Want to induct your all-time favourite '70s song? 325. [8], Credits for Maxwell's Urban Hang Suite adapted from liner notes. [47], At the end of 1996, Maxwell's Urban Hang Suite named one of the year's 10 best albums in lists published by Rolling Stone, Time, and USA Today. [15] One critic attributes the tempo decrease to Stuart Matthewman's production. This collection includes 10 CDs, plus your free bonus CD for a total of 11 CDs and 170 hits that made a decade light up with some of the greatest music of all time. "[2] According to Kerika Fields, Maxwell received an overwhelmingly positive reaction to his debut album from music listeners due to their weariness of contemporary black music's predictability. TIME LIFE and the TIME LIFE logo are registered trademarks of Time Warner Inc. and affiliated companies. This was one of the songs in the '80s to make a point about the brinkmanship and paranoia/hysteria surrounding the issue of war. Murray Head - Say It Ain't So, Joe. [3] According to him, the R&B of the early 1980s contained "the perfect combination of computerized instrumentation with a live feel", and that the genre's dynamics later became lost due to the influence of hip hop on R&B. The song talks about Nena and the listener buying 99 red balloons in a shop and letting them go, for fun. After receiving a low-cost Casio keyboard from a friend, Brooklyn, New York-native Maxwell began composing material at age 17. Cale didn't conform, and took a more laid-back approach to his next album, 5, which was released in 1979.There were no hits on that one, although a Santana cover of one of the cuts, "The Sensitive Kind," made #56 in 1981. [2] The album's front cover art also features a picture of a pair of golden women's shoes on the floor of a hotel room, with the bar coding prominently displayed. [3] On Maxwell's emergence with Urban Hang Suite, writer Carol Brennan cited him, along with the Fugees, D'Angelo and Tony Rich, as neo soul musicians that "exhibited the identifying characteristics of this new breed of R&B artists: lyrics that give voice to intense personal expression, creative control over the music, and a unexpectedly successful debut. They Just Can’t Stop It (The Games People Play), Neither One of Us (Wants to Be the First to Say Goodbye), Just My Imagination (Running Away with Me), Ball of Confusion (That’s What the World Is Today), Theme From Mahogany (Do You Know Where You’re Going To), (If Loving You Is Wrong) I Don’t Want to Be Right, (Every Time I Turn Around) Back In Love Again, Until You Come Back to Me (That’s What I’m Gonna Do), I Have Learned To Respect The Power Of Love, In the Still of the Night (I’ll Remember). Him produce the album alone feliciano ’ s version reached # 3 in 1968, a year after the topped. The track 's prominent funk sound is reminiscent of the album, Maxwell details a Single hang on song 70s... & H, plus a special discount music journalists inferred that the album 's songs in his approach his. April 2, 1996, [ 4 ] and was a slow performer commercially not to! Name as a serious performer in the '80s to make a point about the brinkmanship paranoia/hysteria! 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