While he was studying chemistry at New York University, his older sister introduced him to her dance teacher, who took Robbins on as an apprentice in his modern company—despite his inexperience. The engagement was broken and Mr. Robbins, who was very private about his life, never married. Sandor impressed him most, he said, with ''an imagination that evolved a different style for every production.'' There are plenty of stories about how demanding (at times brutally so) he … But in 1997, he finished a major work for the company, ''Brandenburg,'' to the Bach concertos. Furthermore, is Jerome Robbins alive? On the evening of his death, the lights of Broadway were dimmed for a moment in tribute. He also performed uncredited show doctoring on the musicals A Tree Grows in Brooklyn (1951), Wish You Were Here (1952), Wonderful Town (1953), and choreographed and directed several sketches for The Ford 50th Anniversary Show, starring Mary Martin and Ethel Merman on CBS.[8]. For all his acclaim on Broadway, Mr. Robbins made it clear that his first love was dance, and ballet in particular. This action led to resentment among some of his peers and collaborators, including blacklisted actors Jack Gilford[14] and Zero Mostel, who, while working on Fiddler on the Roof "openly disdained Robbins". He returned to the commercial theater briefly in 1989 with ''Jerome Robbins's Broadway,'' but even this hit was an anthology of dance sequences from past shows. Remarkably, and unlike other choreographers, he never seemed to repeat himself, especially in his 66 ballets. [15] Although Leonard Bernstein and Arthur Laurents worked with him on West Side Story only a few years after they had been blacklisted, Laurents later remarked "I'm not very proud of myself for ignoring the fact that Jerry informed, because that validated him" and "I never said anything to Jerry until [West Side Story] was frozen in Philadelphia. Jerome Robbins Death. His Broadway shows include On the Town, Billion Dollar Baby, High Button Shoes, West Side Story, The King and I, Gypsy, Peter Pan, Miss Liberty, Call Me Madam, and Fiddler on the Roof. The Jerome Robbins Foundation & The Robbins Rights Trust. Robbins was only the second director to win the Academy Award for Best Director for a film debut (after Delbert Mann for Marty). Robbins commissioned a score for the ballet from the then-unknown Leonard Bernstein[5] and enlisted Oliver Smith as set designer. At New York City Ballet Robbins distinguished himself immediately as both dancer and choreographer. In 1957, he conceived, choreographed, and directed West Side Story. The group disbanded in 1961 but reassembled for a White House dinner in 1962 given by President John F. Kennedy for the Shah of Iran. Ms. Kaye, in fact, told The New York Times in 1951 that she planned to marry Mr. Robbins on April 16 of that year. The latter led to his creating the anthology show Jerome Robbins' Broadway in 1989 which recreated the most successful production numbers from his 50-plus year career. Some, including ''Keep Off the Grass'' in 1939, were choreographed by Balanchine, then bereft of a ballet company. Jerome Robbins facts Among his numerous stage productions he worked on were On the Town, Peter Pan, High Button Shoes, The King And I, The Pajama Game, Bells Are Ringing, West Side Story, Gypsy: A Musical Fable, and Fiddler on the Roof; Robbins was a five time Tony award winner and a recipient of the Kennedy Center Honors Oxford Music Online. His Broadway career was at stake: had he not cooperated with the panel, he risked being blacklisted in the entertainment industry, as were many who refused to testify or to inform on others. Robbins suffered a stroke in July 1998, two months after the premiere of his re-staging of Les Noces. In 1995, after the City Ballet acquired a hit in ''West Side Story Suite,'' based on dances from his show, Mr. Robbins had a heart valve replaced. The prizes should "lean toward the arts of dance..." The first two Jerome Robbins Awards were bestowed in 2003 to New York City Ballet and to lighting designer Jennifer Tipton.[18]. Jerome Robbins, original surname Rabinowitz, (born Oct. 11, 1918, New York, N.Y., U.S.—died July 29, 1998, New York City), one of the most popular and imaginative American choreographers of the 20th century. Robbins, though willing to confess to past party membership, resisted naming names of others with similar political connections; he held out for three years until, according to two family members in whom he confided, he was threatened with public exposure of his homosexuality. From 1944 to 1964, Mr. Robbins's golden touch was evident in musicals as disparate as ''On the Town,'' ''The King and I,'' ''Gypsy,'' ''West Side Story'' and ''Fiddler on the Roof.''. Jerome passed away on July 29, 1998 at the age of 79 in New York, New York, USA. In 1937, Jerome Robbinsbegan dancing at Camp Tamiment and in the choruses of Broadway shows like Grat Lady and Keep Off The Grass. Jerome Robbins was one of the founding members of the Ballet Theatre when it was formed in 1940 portraying a variety of roles for several years before devising his own creations such as 'Fancy Free' about 3 sailors on leave in New York which marked a long association with Leonard Bernstein. After 1964, show business ceased to interest him as a serious endeavor. In 1956 Robbins' muse, Tanaquil LeClercq, contracted polio and was paralyzed; for the next decade Robbins largely withdrew from his activities at New York City Ballet, but he established his own small dance company, Ballets USA, which premiered at the inaugural season of Gian Carlo Menotti's Festival of the Two Worlds in Spoleto, Italy in June 1958, toured Europe and the US under the auspices of the State Department, and appeared on television on The Ed Sullivan Show. Robbins' next musical was the jazz age fable Billion Dollar Baby (1945), and during rehearsals for the show an incident happened that became a part of Robbins – and Broadway – lore: the choreographer, preoccupied giving directions to the dancers, backed up onstage until he fell into the orchestra pit. In 1953, ''Afternoon of a Faun'' stunned audiences by its mix of sensuousness and simplicity. In quick succession, Mr. Robbins choreographed ''Miss Liberty'' (1949), ''Call Me Madam'' (1950), ''The King and I'' (1951) and ''Two's Company'' (1952). Although ''Fancy Free'' was his first work for a ballet company, Mr. Robbins had started choreographing while performing in summer shows at Lake Tamiment, a Poconos resort in Bushkill, Pa., that served as an incubator for rising talent like Danny Kaye and Imogene Coca. After Balanchine's death in 1983, he and Peter Martins served jointly until 1990 as the company's artistic directors. During rehearsals, he had said, ''I feel I have one more big ballet in me.'' ''Look Ma -- I'm Dancing'' (1948), with a book by Mr. Robbins and directed by him and Abbott, was a takeoff on a touring ballet company. Jerome Robbins (1918–1998) was born Jerome Wilson Rabinowitz on October 11, 1918, on the Lower East Side of Manhattan, the son of Polish-Russian immigrants. Meanwhile Balanchine, who had choreographed little from 1968 to 1972, was subject to increasing speculation that his creativity had come to an end. Jerome Robbins (October 11, 1918 – July 29, 1998), was an American theater producer, director, and dance choreographer known primarily for Broadway Theater and Ballet/Dance, but who also occasionally directed films and directed/produced for television. One of Fancy Free's inspirations was Paul Cadmus' 1934 painting The Fleet's In! The Roseland Ballroom honored Mr. Robbins and Martha Graham simultaneously with an award, she for ''bringing art to the masses'' and he for being ''tops in Terpsichore.''. During this time he also began creating dances for Tamiment’s Revues, both comic and dramatic genre. Even his 1969 Chopin masterwork, ''Dances at a Gathering,'' was, for all its plotlessness, a study of a community. This genius for capturing the essence of an age was the Robbins signature. While a member of Sandor's company Robbins made his stage debut with the Yiddish Art Theater, in a small role in [The Brothers Ashkenazi]. For the first Festival of Two Worlds in Spoleto, Italy, that summer, he directed an ad hoc group of dancers that became Ballets: U.S.A. Just as surprisingly, he then embarked on three years of quiet experimentation in a project that he called the American Theater Laboratory. Mr. Robbins's inventiveness, in both ballet and musicals, stemmed in large part from his willingness to mix disparate theatrical elements. Export: Opus Jazz and Moves. He received equal kudos for his work in commercial theater — Broadway. The plot, about Jews living in Russia near the beginning of the 20th century, allowed Robbins to return to his religious roots. On some level, the experience reopened the floodgates of his creativity. His father and uncle opened the Comfort Corset Company in Union City. At the age of 3, he played the piano in a public children's concert. Mr. Robbins also created a dance version of ''Our Town'' that was incorporated into ''The Straw Hat Revue,'' which Max Leibman, Tamiment's entertainment director, and the Shubert Organization brought to New York in 1939. He nevertheless staged Les Noces for City Ballet in 1998, his last project. That same year, Robbins would become one of the first members of New York's newly formed Actors Studio, attending classes held by founding member Robert Lewis three times a week, alongside classmates such as Marlon Brando, Maureen Stapleton, Montgomery Clift, Herbert Berghof, Sidney Lumet, and about 20 others. After about 45 days of shooting, he was fired when the production was considered 24 days behind schedule. New York City Ballet is celebrating the Jerome Robbins Centennial with twenty (20!) The 1980s saw an increased presence on TV as NBC aired Live From Studio 8H: An Evening of Jerome Robbins' Ballets with members of the New York City Ballet, and a retrospective of Robbins's choreography aired on PBS in a 1986 installment of Dance in America. It’s hard to imagine Broadway or the ballet without Jerome Robbins. Known as "Jerry" to those close to him, Robbins was given the middle name Wilson reflecting his parents' patriotic enthusiasm for the then-president, Woodrow Wilson. The crucial role that he played in the City Ballet's initial success was recalled in 1988 by Todd Bolender, a former choreographer and principal dancer in the company: ''Jerry was a great incentive for Balanchine, contributing an American dance creativity in his ballets that was of great importance to our early 1950's tours, especially in Europe, where the Robbins ballets had an explosive effect.''. Robbins won the Antoinette Perry (Tony) … One such dance, later also performed in New York City at the 92nd Street Y, was Strange Fruit, set to the song performed by Billie Holiday. Mr. Rabinowitz operated a delicatessen, and with his wife, offered Jerome and his older sister, Sonia, a breadth of cultural opportunities. Mr. Robbins's choreography at Tamiment included a duet for himself and Miss Alvarez set to ''Strange Fruit,'' Billie Holiday's recording of Lewis Allen's song about lynchings. See the article in its original context from. Robbins recreated his stage dances for The King and I for the 1956 film version. Balanchine named him associate artistic director the next year. Export: Opus Jazz.'' In 1950, Robbins was called to testify before the House Committee on Un-American Activities (HUAC), suspected of Communist sympathies. 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