Welles proudly calls himself a charlatan while performing magic tricks and coming up with all sorts of ways to play with the audience. Funnily enough, one of the people involved with the Blair Witch Project is involved with this movie, so I think they are trying a similar marketing strategy. How are we supposed to accept anything as valid if it’s so easy to fake? Is it a documentary, a fantasy, a historical drama or an art film? Made in 1974, the film is a blend of quick time, dreamlike French New Wave attention-deficit editing. (The number and type would be later exceeded by "Annie Hall," but no one would consider it a triggering idea by then.) He talks about forging a career as a Broadway star in order to get work in Ireland. Welles narrates, directs, and appears as himself. Don Quixote is an unfinished film project produced, written and directed by Orson Welles. It's post-mass communication, but pre-internet, pre-CGI. (He faked a biography about Howard Hughes.) Also, the lesser-known masterpieces The Trial and Chimes at Midnight, which are as good as the previous three. In the end, he wanted the final laugh. The Fake is a 1953 British crime film directed by Godfrey Grayson and starring Dennis O'Keefe, Coleen Gray and Hugh Williams. People tend to forget that this master crafstman, rightfully thought of as one of the pre-eminent artists of the medium, was, first and foremost, an entertainer. Here are more examples of IMDB fake reviews. Documentary, Drama. Link Tank: Should You Watch The Way of the Househusband on Netflix? The last major film written, directed and featuring legendary director Orson Welles was F for Fantastic. The first two thirds of the project are concerned with getting all these plates spinning at the same time. So, it's really hard to say, if this movie was documentary at all. The painter paints famous paintings that have already been painted by other well known names like Picasso, Matisse, and Da Vinci, signs them using the original painters name and claims they were painted by that painter. It was a wonderful entertaining film. The editing is quite superb. Reichenbach then hired fame director Orson Welles to edit the documentary to include Elmyr de Hory's biographer Clifford Irving, who was revealed to be a forger himself, when his fame Howard Hughes "autobiography" came out to be, a hoax. In the earlier shots, we actually see him produce bogus paintings which are then burned. For what it's worth, I could watch Orson carry on conversation with nobodies for hours at a time, and on the few occasions the film delivers just that, it reaches a certain peak. Clifford Irving is a biographer who wrote the allegedly fraudulent Howard Hughes autobiography, yet, at least it seems, purports his innocence. Then to Welles' bogus movie about Hughes' life (itself a bogus notion) he adds another layer: Irving's bogus story about Hughes' life. F FOR FAKE is arguably Orson Welles's greatest film work. 8/10. You must be a registered user to use the IMDb rating plugin. If not, he was always a famous and successful film actor, even in movies that he didn't direct himself. That's not something you can say about the majority of cinematic auteurs. It's still somewhat fit with the theme of the film. Sadly, we will never truly know, who the real guy is, as he commit suicide, shortly in 2 years after this movie wrap. F for Fake is perhaps Orson Welles' least famous film. In many ways, that was the perfect way to end the film. Peter Bradshaw @PeterBradshaw1. Keep track of everything you watch; tell your friends. Is he making this up, too?There is also, though, this sad undertone of the film about Welles' own life. A documentary about fraud and fakery. What we are left with is an incomplete picture of de Hory, a complex, but highly enigmatic man unable to shed his outlaw persona, whose notions of morality conformed to the exigencies he believed, that helps with his survival. a. F For Fantastic, Farouche, Fanciful, Farcical, Fabulous. Written by He was a director, at least, but wasn't he also a stage actor? All in all, the film's subjects are enormously interesting, especially Elmyr. An art forger, a biographer who faked having wrote from a legitimate source(Howard Hughes himself), and some 17 minutes about a Oja Koder's deathbed grandfather wanting Picasso's approval over 22 paintings of his beautiful daughter--Orson Welles sure knew how to weave quite a compelling film. Like the magician and prankster that he is (arguably one might consider Welles more of a prankster than as a textbook faker), F For Fake is as much about illusion as it is about the people who create the illusions. "F for Fake" is about an art forgerer and his biographer who was a forgerer himself. His interviews with Hory and Irving barely explain, anything about the guy, such as Elymr de Hory's jail-time and his open homosexuality. Thu 23 Aug 2012 16.45 EDT. Ted's Evaluation -- 3 of 3: Worth watching. Synopsis. From the iconic to the eclectic, relive the most memorable moments from the Oscars red carpet. No one should see "Citizen Kane" without also seeing this annotation. You don't get to ignore the elephant in the room and tell me I need to advise you of fake reviews. Boy oh boy, I see a lot good reviews for this here. It's simply amazing watching him effortlessly, and I MEAN EFFORTLESSLY, reproducing the paintings of Picasso and Matisse. Orson handles most of the narration himself from a seat at the editing table, apparently in the process of chaotically piecing the final product together. It was a seemingly inexplicable introduction: candid shots of men on the street ogling her vampish walk. If a fake is so good as to be taken for the real thing, is it of any less value? I just couldn't get enough of Welles moving about in a cape, performing magic tricks, or sitting in a café talking about the men in his film to a chuckling audience, not to mention his brilliant tale of Picasso and the luscious, elegant Kodar's inspiring him into a mad frenzy(along with Kodar's "trombone jazz playing brother in the French village of Houdan)supposedly bringing to life a "new period" which yielded those portraits she's said to have taken away with her. Second, you should know that several of his "lost" projects exploit just this notion, especially "Other Side of the Wind." In the end both men's reputations were tainted so karma got somewhat even. Once again, Welles puts on yet another performance of a lifetime. After all, Welles reflects on this in-film, so well. All the while Orson Welles narrates about the profundities of playing tricks on the mind and how we are so easily fooled by tricks that lay right under our noses. F for Fake (French: Vérités et mensonges, "Truths and lies") is a 1973 docudrama film co-written, directed by, and starring Orson Welles who worked on the film alongside François Reichenbach, Oja Kodar, and Gary Graver. First there is the film "F for Fake." Here is the truth. F for Fake is perhaps Orson Welles' least famous film. Philip French. I think, Welles went a little overboard with the whole 'trophy wife' concept. It really deserves to be in the Criterion Collection, big time. eg. Welles' genre-warping free-form cinematic essay uses a series of famous frauds and hoaxes to explore the slippery line separating reality and deception. This is a sloppy, er..um.. nonlinear documentary about con men. While, her scenes are somewhat pointless. The other main subject of the film is artist Elmyr de Hory, a man who has spent his life painting fakes of famous masterpieces, sometimes selling them to museums as real works by the original artists. It starts to tell its story about an art forger, but then it backtracks to his homeland of Hungary, then Welles tells a Hungarian joke, then it gets back to the main story, then Welles does a magic trick, then the camera oogles a hot chick for 10 minutes, then Welles waxes on about the wonderful Mr. Welles, etc., ad nauseum. I think this editing is just simply documentary editing at its finest because documentary are suppose to give the illusion that it is real events that are being filmed when it is only an interpretation of reality. Its plot concerns an American detective who tries to solve the theft of a priceless painting from the Tate Gallery in London. I also, kinda dig the fictional movie re-enactments with him, using film noir styles. 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