Cheryl oversees the entire department of Alumni Relations. All rights reserved. He was drawn to medical school by a question that deeply distressed him: Why do people in the most need get the least help from doctors and hospitals? “I realized during that semester the extent to which the law pulled together strands of the other subjects I was studying, including history, sociology, philosophy, and even an element of theatre,” Goodman says. Learn more Drama Critics Circle Award (2002), among others, memoirist: The Book of Sarahs (Counterpoint); editor: Afrekete: An Anthology of Black Lesbian Writing (Anchor Books/Doubleday); associate director: The Publishing Certificate Program, City University of New York; 1999 Fulbright Grant recipient, Ghana, West Africa, novelist: Knee Deep in Wonder (Metropolitan); winner: Zora Neale Hurston/Richard Wright Foundation Award for work-in-progress, a PEN/American Open Book: Beyond Margins Award (2004), among others, author, memoirist: When I Was Puerto Rican (Vintage), Almost a Woman (Vintage), The Turkish Lover (Da Capo), among others; co-editor: Las Mamis (Vintage), Las Christmas (Vintage); winner: the Alex Award from the American Library Association (1999), among others, novelist: A Bridge Between Us (Doubleday), Invisible Gardens (St. Martin’s), among others; literary anthologies: On a Bed of Rice: An Asian American Erotic Feast (Anchor Books/Doubleday), among others; editor: Blue Mesa Review; winner: Henfield Award and an American Japanese National Literary Award, international editor: European Vanity Fair; former editor-in-chief: Interview Magazine; contributing editor: Vanity Fair, former co-anchor: ABC’s 20/20 and The Barbara Walters Specials; co-host/co-executive producer: The View. “Whether it was through theatre studies, English lit, art history, or the history of film, I left with a deeper knowledge of who I was, because I was allowed to fully explore these subjects and inspired to think for myself.”. (professor, neural science, psychology: New York University), “My aim,” says Karen Adolph of her teaching, “is to capture students’ interest by structuring course work around issues that they already find compelling.” That philosophy of teaching, she notes, she first learned at Sarah Lawrence. Before law school, Jones worked for Black Enterprise magazine as director of public affairs and at the African American Institute as program officer, bringing African professionals to the United States to meet their counterparts. New York, New York Graduate Program Administrator at New York University Writing and Editing Education Sarah Lawrence College 2010 — 2012 Master of Fine Arts (M.F.A. She credits Sarah Lawrence with preparing her for the opinion-driven crossfire of film production meetings. Continue to use on-campus amenities and enjoy various discounts and membership benefits. Co-starring Alan Arkin and Emily Mortimer, the film won the 2009 Audience Award at the prestigious Tribeca Film Festival. Sarah Lawrence reunions are unforgettable. She frequently contributes her investment insights to financial magazines and news shows. The performing arts at Sarah Lawrence integrate theoretical study and practical experience in the context of a liberal arts education. “I loved the way I was taught at Sarah Lawrence, so I try to do that wherever I can.” At Sarah Lawrence’s Early Childhood Center, she says, “We were taught that every baby who came in was the most special child and that our job was to foster their independence—and we were facilitators. “The education at Sarah Lawrence was not so much a matter of filling our heads up with facts, but more of learning how to be able to go out and find facts yourself,” explains Patchett, “And it was about teaching us how to be curious.” Patchett’s novels, Run, Bel Canto, The Patron Saint of Liars, Taft The Magician’s Assistant, brought her recognition, honors, and awards. Though best known for his novel Oldest Living Confederate Widow Tells All (Knopf, 1989), Allan Gurganus also writes short stories, editorial essays, and film scripts. By the mid-90s, she had founded her own company, Debra Zane Casting, through which she has helped create such popular and critically acclaimed films as Wag the Dog (1997), American Beauty (1999), Traffic (2000), Ocean’s Eleven (2001), Catch Me If You Can (2002), and Dreamgirls (2006). © Sarah Lawrence College. At Sarah Lawrence, he focused on social science, with a sprinkling of science and math. Its mission is to connect alumni and other members of the Sarah Lawrence community to the College and to one another. “It was such a relief to be able to design my own curriculum,” Pilson says. He also produced Sky Captain and the World of Tomorrow, and the award winning Broadway productions Spamalot and Pillowman, nominated for a combined 20 Tony’s. “It also makes you accountable. Shortly before he graduated, a literary agent happened to see him in a show. Susan Meiselas spent many years in the Kurdish area of northern Iraq where she first worked with Human Rights Watch in 1988 and 1989, documenting the destroyed villages and mass graves of Saddam Hussein’s Anfal campaign, an attempt to exterminate the Kurdish people. In 1978, she expanded the musical territory of voice with Meredith Monk and Vocal Ensemble. More recently, as a result of his work advising the Chinese government on dealing with the severe acute respiratory syndrome (SARS), he was asked to help run the first infectious disease center in China. This event is presented by Sarah Lawrence College in partnership with the Yonkers Public Library through a grant from The Andrew W. Mellon Foundation. “It was the moment when my education went from the theoretical to the practical in a very organized way,” he says. Big jump? Series, Fringe of aesthetics the MFA program at Yale School of art history see it a... Shortly before he came to Sarah Lawrence with preparing her for the,. 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