There are brujería collectives sprouting up across the States, television series like Netflix’s Siempre Bruja, and music artists across the diaspora who are passionate about infusing elements of Santería — from its orishas and imagery, to its ivory Santero/a ensembles — into their performances. Die Orishas sind im Prinzip alle gleich mächtig, jedoch wird Obatala und Yemayá eine übergeordnete Rolle zugeordnet.
The formation of Regla de Ocha, as it is also known, harnesses the legacy of enslaved Yoruba peoples first brought to the solares of Cuba and the Americas. Xênia França is one of Brazil’s most promising singers and composers, and to get there, she’s drawn on the energy of her ancestors. On 2018’s modestly titled, Cantos, Okonkolo combines Western instrumental runs with the thumping sounds of un bembé — a party for the Orishas. And while they remain a gift for members of the Regla de Ocha, each song delivers an accessible glimpse into the spirit world for anyone who cares to listen. Eleggua is particularly fond of children and often disguises himself as one. His colors are red and black.

Yet upon first listen, there are times where those unfamiliar may not even realize Santería’s influence. Die Orishas unterscheiden sich regional in ihrer Bedeutung, ihren Aspekten und ihren Beziehungen, die in Erzählungen (Patakis) überliefert werden. Babalu-Aye is depicted as being covered in sores, and so skin infections are a particular area of his influence. Two bull horns can also be used. By using Learn Religions, you accept our, The Orishas: Orunla, Osain, Oshun, Oya, and Yemaya, The God of Wealth and Other Deities of Prosperity and Money, A Look at Satan Through the Eyes of the Luciferians, The Story of Pele, Hawaiian Volcano Goddess, Maman Brigitte, Loa of the Dead in Voodoo Religion, Satanic Figures Across Multiple Religions, M.A., History, University of Wisconsin, Milwaukee. Thus, he is also a tempter, and Christians sometimes associate him with Satan (as they also tend to do with trickster deities of other cultures, such as the Norse Loki). Listening is a bittersweet reminder of her gifts, inasmuch as it affirms that her aché — her life force — continues to live on in this universe. Close. Named for the smallest “baby” Batá drum used during traditional Santería ceremonies, Okonkolo’s work honors divine form but isn’t afraid to bring it to a new, hypnotic plane. Symbols of Chango include a double-edged wooden ax, cup, thunderbolt, castle (which is often depicted under St. Barbara's feet, representing the imprisonment before her martyrdom), and spear. At best, you’ll hear your own slice of peace. Wie Menschen übertreten sie Grenzen und brechen Tabus, wodurch nicht nur die Götterwelt, sondern gleichzeitig das irdische Leben seine Dynamik erhält.[2].

On tracks like 2017’s “Pra Que me Chamas,” França takes influence from Santería’s sacred batá, infusing it with Candomblé’s rum, rumpi, and lé atabaque drums all to punctuate her electronic aesthetic.

Das Orakel von Ifé kann in Brasilien durch das Werfen der Kaurischnecken durch eine Mãe-de-santo (Ialorixá) oder einen Pai-de-santo (Babalorixá) konsultiert werden.

With her latest work, Sonocardiogram, the 27-year-old cemented herself as one of the most powerful voices in the game, brought up by her sacred frequencies and rich, Afro-Cuban jazz stylings. Coupled with electrobeats, sprawling jazz stylings, and American hip hop flows, these songs emerge as Santería arrangements for the new age. He is most commonly associated with St. Christopher, who is the patron saint of travelers in Catholicism. And, of course, devotion to their island’s divine orisha forces. Yet upon first listen, ... Orishas — the pioneering rap en español group from Cuba — have proudly repped Santería in their name from the very ... santeria. Under the grips of slavery and later racist stigma, the practice of Santería and other Yoruba religions, like Brazil’s iteration of Candomblé, were often forced into secrecy. Dieser vom Orixá Auserwählte, einer seiner Nachfahren, heißt elégùn, derjenige, welcher das Privileg des Bereitens, gùn, durch ihn erfährt.
As a practitioner of Candomblé, Brazil’s sister religion to the Caribbean’s own Santería, Serena Assumpção worked on Ascensão during her fatal battle with cancer. Common symbols of Babalu-Aye are crutches, reeds, cowrie shells, and dogs. Light blue and royal purple are his colors. From tracks like Ash’s power anthem “Deathless” with sax king Kamasi Washington, to earlier work like “Oya” on Ibeyi, the Diaz women assert their Yoruba roots with true diasporic weight — combining the brooding electronica, jazz, and 808s of their American influences with the Yoruba rhythms of their ancestors. He is also a passionate womanizer. She passed at 39 years old, only months before the posthumous record was released. He is viewed as compassionate and humble, although he can just as easily cause infections as cure them. While her music identifies most closely with the sounds of Brazil’s Candomblé, she understands the linkages between Bahian and Cuban rhythms as part of one larger African diaspora.

Certainly powerful and great, tracks like “Bembé” bring syncretic hip hop taste to the devotional practice of a Yoruba spirit party. 10 Artists Honoring Santería & Candomblé Faith in Their Music Today. Aganyu is also sometimes associated with the Archangel Michael and St. Joseph. Eine weitere Sonderrolle hat Eshu. IIII+IIII is titled for “Ejiogbe” — the Ifá representation for expansion and evolution in the universe — and certainly lives up to its namesake with diasporic tracks that blend dancehall beats, twinkling electropop synths, and devotional messages of sacrifice and acceptance from Yoruba deities. Her standout track highlights a strong lineage from Yoruba to the indigenous Taíno peoples of her native Puerto Rico, acting as a clear primer for anyone unfamiliar with Caribbean spiritual history — and honestly, the labor is a gift. Lazarus' name was also used by an order in the Middle Ages that was established to care for those suffering from leprosy, a disfiguring skin disease. The religious presence can feel subtle, as many of the artists on the list below take traditional Cuban batá rhythms into new territory altogether. From New York rapper Princess Nokia to Cuba’s Orquesta Akokán, here are 10 artists reinventing the sound of Santería today. Cuban songstress and composer Daymé Arocena is on a visionary track. Twin sisters Naomi Diaz and Lisa-Kaindé Diaz took on the eponym Ibeyi — the Yoruba word for “twins” — back in 2013. When the slaves were taken to the Americas, the practice of syncretizing saints with Orishas was already occurring, and it afforded the slaves an opportunity to continue practicing their traditional Lucumí beliefs without their slave masters getting too suspicious. Given that her work as a New York City rapper is as multivalent as the city itself, Frasqueri takes what’s otherwise a quiet ancestral practice into the spotlight on tracks like “Young Girls” and 2017’s “Brujas” — infusing her spirituality with what it means to be a proud “ghetto bitch” of the African diaspora. Als Orishas (Orisa; portugiesisch Orixá; spanisch Oricha; Yoruba: Òrìṣà) werden die Götter in der Religion der Yoruba und in den darauf beruhenden afroamerikanischen Religionen wie der kubanischen Santería und dem brasilianischen Candomblé und der Umbanda bezeichnet. Aganyu is the orisha of the violence of the earth, of volcanoes and earthquakes. 1, OSHUN cradle hip-hop and R&B melodies with ease—Niambi stuns with her punchy flow, whereas Thandi’s harmonies add a necessary ethereal quality to their work. Ihnen sind Farben, Zahlen, Pflanzen, Klänge, Rhythmen, Lieblingsspeisen und Lieblingsgetränke zugeordnet. Er ist als einziger allmächtig. Santeria originates from an original African belief system and in this, there are hundreds of orishas. Babalu-Aye is equated with Lazarus, a Biblical beggar man mentioned in one of Jesus's parables. Chango is most commonly associated with St. Barbara, the patron saint of lighting. Travelers often seek his protection.

He is a messenger, a trickster, a warrior, and an opener of doorways, allowing for new experiences. Der brasilianische Candomblé hat drei Hauptnationen. Er ist menschlicher als die anderen Orishas und wird eher den Geistern zugerechnet. Sie dienen als Vermittler zwischen den Menschen und Olorun. Self-proclaimed bruja Destiny Frasqueri, aka Princess Nokia, is always vocal about her connection to Regla de Ocha. The orishas are the emissaries of Olodumare or God almighty. Santería — a syncretic mashup of Christian doctrines and west and central African spiritual figures — inevitably carries with it a history that many in the Western world would rather care to forget. Die Orishas, N'kissis und Voduns haben einige Gemeinsamkeiten, aber sind trotzdem unterschiedliche Heilige. Members, including Cuban vocalist Jose “Pepito” Gomez, producer Jacob Plasse, and arranger Mike Eckroth, all unite on “Un Tabaco para Elegua” to honor the orisha of all caminos in life. Er ist Türhüter und Götterbote und muss bei allen Ritualen als Erster begrüßt werden und auch als Erster seine Opfergaben erhalten.

In many ways, therefore, understanding an orisha is like understanding another human being. Òrúnmìlà-Ifá ist einer der bedeutendsten Òrìşà, doch bezieht sich dieser Begriff auch auf das Ifá-Orakel, das aus 16 Hauptodú (Kapiteln) und insgesamt aus 256 Odú besteht, die über die einzelnen Òrìşà berichtet. Learn Religions uses cookies to provide you with a great user experience.


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