Les Kinks entament leur tournée nord-américaine en octobre, mais elle se passe plus mal que prévu : le groupe peine à trouver des promoteurs coopératifs et un public intéressé, si bien que de nombreuses dates sont annulées. Categorised in the United States as a British Invasion band, the Kinks are recognised as one of the most important and influential rock groups of the era. The first was the eponymous Dave Davies in 1980. Son état est si grave que les managers des Kinks envisagent de laisser le groupe continuer sans lui avec Dave comme leader[70]. [133] The record attained gold status and featured the UK hit single "Better Things" as well as "Destroyer", a major Mainstream Rock hit for the group. passim ("Chart Positions" data). The Kinks: All Day and All of the Night.

[143] Avory left the band, and Henrit was brought in to take his place. [14] Their parents, Frederick and Annie Davies, moved the family to 6 Denmark Terrace, Fortis Green, in the neighbouring suburb of Muswell Hill. [84], Village Green eventually morphed into their next album, The Kinks Are the Village Green Preservation Society, released in late 1968 in the UK. Et c'était ça, la, « J'avais un ami […] qui trouvait le groupe assez drôle. In Jon Savage's analysis, they "needed a gimmick, some edge to get them attention.

The Kinks expanded on their English sound throughout the remainder of the 1960s, incorporating elements of music hall, folk, and baroque music through use of harpsichord, acoustic guitar, mellotron, and horns, in albums such as Face to Face, Something Else by the Kinks, The Kinks Are the Village Green Preservation Society, and Arthur (Or the Decline and Fall of the British Empire), creating some of the most influential and important music of the period. La stylisation anglaise des Kinks est accrue par l'interdiction lancée par l'American Federation of Musicians, qui les coupe du marché américain, le plus important au monde[21], et les force à se concentrer sur le Royaume-Uni et l'Europe continentale. Pendant sa convalescence, il écrit plusieurs nouvelles chansons et réfléchit à l'avenir des Kinks[34]. Davies s'engage beaucoup dans ce projet : il écrit le scénario, réalise le film et interprète sa bande originale, ce qui cause des tensions avec son frère[91]. [113][114][114][115] He subsequently collapsed after a drug overdose and was taken to hospital. Les frères Davies se consacrent de plus en plus à des projets personnels, notamment en publiant leurs autobiographies : X-Ray, celle de Ray Davies, paraît début 1995, et celle de Dave, Kink, l'année d'après[102]. [7] After recently going through a carousel of hiring and firing keyboard players, Ray Davies decided to play all of the keyboard parts for the tracks himself. Pour promouvoir l'album, les Kinks passent la fin de l'année 1981 et l'essentiel de 1982 à tourner sans relâche[31], donnant de nombreux concerts à guichet fermé en Australie, au Japon, en Angleterre et en Amérique[85] avec en apogée l'US Festival de San Bernardino, où ils se produisent devant 205 000 spectateurs[86].

King, Badfinger, Barry Manilow, Bette Midler, Bill Withers, Billy Joel, Billy Preston, Blood, Sweat, & Tears, Bobby Darin, Buddy Miles, Bull Angus, Canned Heat, Captain Beyond, Chi Coltrane, Chris Smither, Curtis Mayfield, David Blue, David Bromberg, Don McLean, Dr. John, Ella Fitzgerald, Flo & Eddie, Ginger Baker, The Goose Creek Symphony, Harry Chapin, Heads Hands & Feet, Herbie Mann, J.D. The Kinks were active for over three decades between 1964 and 1996, releasing 24 studio and 4 live albums. Le groupe doit attendre 1979 pour recevoir un nouveau disque d'or avec Low Budget (500 000 exemplaires vendus) ; les deux albums suivants, le double-live One for the Road et le disque enregistré en studio Give the People What They Want, reçoivent chacun la même récompense[121]. [4] Mick Avory and Pete Quaife were present for the award. The Show of the Year, with The Fortunes and Screaming Lord Sutch & His Seven Savages), August 18, 1965 Corn Exchange, Bristol, ENG (supported by The Pentagons), August 21, 1965 Matrix Hall, Coventry, ENG, August 23, 1965 Barrowland Ballroom, Glasgow, SCOT (supported by Studio Six and The Hi-Fi Showband), August 25, 1965 Fountainbridge Palais, Edinburgh, SCOT, August 26, 1965 Beach Ballroom, Aberdeen, SCOT (supported by Johnny Scott & His Big Band and Maureen & Tucker), August 27, 1965 City Hall, Perth, SCOT (supported by The Phoenix, The Syndicates, The Merjers & The Fontanas), August 28, 1965 Ayr Ice Rink, Ayr, SCOT (supported by The Ravens and The Cravats), September 1, 1965 Folkets Park, Knivsta, SWE (supported by The Shanes), September 3, 1965 Liseberg, Gothenburg, SWE, September 4, 1965 Municipal House, Vara, SWE (supported by Larry Finnegen), September 6, 1965 Turku Concert Hall, Turku, FIN (supported by The Cherry Stones, Sami & The Barricades, The Firestones, and The Shoutin' Saints), September 7, 1965 Linnanmaen Peacock, Helsinki, FIN (2 shows, supported by The Cherry Stones, The Needles, The Rondo Four, and The Learners), September 8, 1965 Lahti Sports Center, Lahti, FIN (supported by The Cherry Stones and The Creatures), September 10, 1965 Fynes Forum, Odense, DEN (supported by The Defenders, The Arons, Rocco, Nalle, and Les Amis), September 11, 1965 KB Hall, Copenhagen, DEN (2 shows, supported by Peter Belli & Les Rivals, The Cheetas, The Kids, The Defenders, The Blackpools, and The Konrads), September 14-18, 1965 Austurbaejarbio, Reykjavik, ICE (2 shows, supported by Tempo and Bravo), September 27, 1965 Bath Pavilion, Bath, ENG (2 shows), (October 1-17, 1965. all shows with The Lords, Tony Sheridan & His All-Stars, and The Black Stars on all shows unless noted), October 1-3, 1965 PN Hit House, Munich, Germany (supported by The Lords, Tony Sheridan & His All-Stars, The Black Stars, and The Renegades), October 5, 1965 Hans Sachs House, Gelsenkirchen, Germany (2 shows), October 6, 1965 New Rifle Hall, Ludenscheid, Germany, October 7, 1965 Stadthalle, Koblenz, Germany (2 shows), October 8, 1965 Frederich Ebert Hall, Ludwigshafen, Germany, October 9, 1965 Olten-Hammer Resturaunt, Olten, Switzerland (supported by The Lords, The Counts, and The Black Stars), October 10, 1965 Holiday Palace, Mulhouse, France, October 11, 1965 Frucht Hall, Kaiserslautern, Germany, October 12, 1965 Union Movie Theatre, Bochum, Germany, October 13, 1965 Electoral Palace, Mainz, Germany, October 14, 1965 Niedersachsenhalle, Hanover, Germany (2 shows), October 15, 1965 Munsterland Hall, Munster, Germany, October 16, 1965 Nordmark Hall, Rendsburg, Germany, October 17, 1965 Weser Ems Hall, Oldenburg, Germany, October 21, 1965 Town Hall, Kidderminster, ENG, October 23, 1965 Imperial Ballroom, Nelson, ENG (cancelled), October 27, 1965 Locarno Ballroom, Stevenage, ENG, October 28, 1965 Glen Ballroom, Llanelli, WAL (supported by The Eyes of Blue and The Wheels of Fortune), October 29, 1965 Co-Op Hall, Gravesend, ENG, October 30, 1965 Gliderdrome, Boston, ENG (2 shows, supported by Little Frankie & The Country Gents, and Just Four Men), October 31, 1965 Starlite Ballroom, London, ENG, November 2, 1965 Winter Gardens, Malvern, ENG (Big Beat Session, with The Huskies), November 5, 1965 Romano's Ballroom, Belfast, NI (supported by The Silhouettes), November 6, 1965 Milano's Ballroom, Bangor, NI (supported by The Red Admirals), November 7, 1965 Adelphi Theater, Dundalk, IRE, November 8, 1965 Eltham Baths, London, ENG, November 12, 1965 California Ballroom, Dunstable, ENG (cancelled), November 13, 1965 Top Twenty Club, Manchester, ENG, November 14, 1965 Manor Lounge, Stockport, ENG, November 15, 1965 Silver Blades, Birmingham, ENG, November 18, 1965 Empire Entertainments & Social Club, Neath, WAL, November 19, 1965 Camden Theatre, London, ENG (UK Radio "Joe Loss Pop Show" performing "A Well Respected Man" "Till The End Of The Day", "Where Have All The Good Times Gone" & "I Am Free"), November 19, 1965 Empire Pool, Wembley, ENG ('Glad Rag Ball', cancelled appearance due to publishing disputes), November 20, 1965 Log Rest, The Hague, NED (cancelled due to plane fogged in), November 21, 1965 VEB Garage, Beverwijk, NED (supported by The Bintangs, The Sindychoos, The Golden Earrings, and The Gamblers), November 23, 1965 Golden Room, Frankfurt, GER, November 26, 1965 Locarno Ballroom, Swindon, ENG, November 27, 1965 Colston Hall, Bristol, ENG, December 3, 1965 Wimbledon Palais, London, ENG, December 4, 1965 Smethwick Baths, Smethwick, ENG, December 5, 1965 Oasis Club, Manchester, ENG, December 10, 1965 Wembley Television Studios, London, ENG (UK TV "Ready Steady Go" performing "Milk Cow Blues"), December 10, 1965 Greenwich Town Hall, London, ENG, December 11, 1965 Domino Club, Manchester, ENG (supported by Mr. Kelly's Citizens), December 13, 1965 Playhouse Theatre, London, ENG (UK Radio "Saturday Club" performing "A Well Respected Man", "Till The End Of The Day", "Where Have All The Good Times Gone" & "I Am Free"), December 15, 1965 Majestic Ballroom, Newcastle, ENG (Kinksize Rave, with The Ken Coyler Jazzmen, The Tony Blake Combo & The Outlines), December 18, 1965 Palais de Danse, Peterborough, ENG, December 24, 1965 Wembley Television Studios, London, ENG (UK TV "Ready Steady Go"), December 31, 1965 Wembley Television Studios, London, ENG (UK TV "Ready Steady Go - The New Year Starts Here!
[201] There have been somewhere between 100 and 200 compilation albums released worldwide. He was 'Sick up to here with it' ... and those that heard shook their heads.
Former bassist Pete Quaife is in the crowd and meets the band afterwards), June 21, 1987 Stanley Theater, Utica, NY (supported by ex-Sex Pistol, Steve Jones), June 22, 1987 Saratoga Performing Arts Center, Saratoga Spirings, NY (supported by Steve Jones. Un autre single tiré de l'album, Don't Forget to Dance, entre dans le Top 30 aux États-Unis et dans le bas du classement britannique[15]. Ray et Dave découvrent la musique à travers le music-hall de la génération de leurs parents, mais aussi le jazz et le rock 'n' roll qu'écoutent leurs sœurs aînées[2].

"Thank you for the days, Ray". The tour proved taxing and stressful—Pete Quaife recalled, "It was a chore, very dull, boring and straightforward ... We only did twenty minutes, but it used to drive me absolutely frantic, standing on stage and playing three notes over and over again. [38] "You Really Got Me" has been described as "a blueprint song in the hard rock and heavy metal arsenal",[38] and as an influence on the approach of some American garage rock bands. Each released an autobiography; Ray's X-Ray was published in early 1995, and Dave responded with his memoir Kink, published a year later. Importé en hâte par le label américain Reprise Records, il entre également dans le Top 10 aux États-Unis[15]. [43][44] Avory responded by hitting Davies with his hi-hat stand, rendering him unconscious, before fleeing from the scene, fearing that he had killed his bandmate. Durant les premières années, leur discographie est différente au Royaume-Uni (Pye), aux États-Unis (Reprise) et en France (Vogue), en raison de différences dans le calcul des royalties et de la pratique américaine consistant à modifier le contenu des albums pour y inclure les tubes qui ne paraissent qu'en 45 tours au Royaume-Uni. November 23, 1963 Methodist Youth Hostel, London, ENG, December 17, 1963 Hornsey Town Hall, London, ENG, December 18, 1963 Archway Tavern, London, ENG (private Christmas party), December 31, 1963 Lotus House Resturaunt, London, ENG (private New Year's party), January 31, 1964 Camden Head, London, ENG, February 1, 1964 Town Hall, Oxford, ENG (supporting Downliners Sect), February 7, 1964 Goldhawk Social Club, London, ENG (supported by The Detours), February 14, 1964 Klooks Kleek, London, ENG, February 15, 1964 Moravian Church Hall, London, ENG (supported by The Argonauts), February 21, 1964 Mersey View Pleasure Grounds, Frodsham, ENG (supported by The Liverbirds), February 28, 1964 Friday Beat Club, London, ENG, March 6, 1964 ABC Cinema, Wigan, ENG (2 shows. [45] It has been reported that an incident when the band were taping Dick Clark's TV show Where the Action Is in 1965 led to the ban. Nicky Hopkins joue à nouveau des claviers sur cet album, notamment du piano et du clavecin[34]. 2 shows on all dates unless noted. This live acoustic album was partly recorded on the highly successful UK tours of 1993 and 1994 and partly in the Konk studio, before a small, invited audience.

Malgré de bonnes critiques, l'album ne se classe ni au Royaume-Uni, ni aux États-Unis[15]. In the end we used a tape-delay echo, but it sounded new because nobody had done it since the 1950s. Malgré la présence d'une nouvelle version de Days, il passe inaperçu[15],[17]. All shows with Manfred Mann, The Honeycombs, Tony Sheveton, and Tony Worsley & The Blue Jays, unless noted), January 20, 1965 Capitol Theatre, Perth, AUS (2 shows 6.00 & 8.45), January 21, 1965 Centennial Hall, Adelaide, AUS (2 shows 6.00 & 8.45), January 22-23, 1965 Festival Hall, Melbourne, AUS (2 shows), January 26, 1965 Festival Hall, Brisbane, AUS, January 27, 1965 Century Theatre, Newcastle, AUS, January 29-30, 1965 Sydney Stadium, Sydney, AUS (2 shows), February 1, 1965 Town Hall, Auckland, NZ (2 shows.

Jim Rodford (ex-Argent) prend la basse pour l'enregistrement de l'album Low Budget, sur lequel Davies assure lui-même les claviers. Néanmoins, la manière dont See My Friends rompt avec les conventions de la pop ne suscite pas l'adhésion du public américain, où elle ne dépasse pas la 111e place du hit-parade[27]. The presence of keyboardist John Gosling is a surprise to some as he has not officially joined the band), June 17, 1970 Rogers High School Auditorium, Newport, RI, June 19-20, 1970, Capitol Theatre, Port Chester, NY (supporting Grand Funk Railroad, with Mott The Hoople), June 22, 1970 New York City, NY (US TV "The David Frost Show" lip-syncing "Lola". As the promoter only offered half their fee upfront, they only played for 20 minutes of a contracted 40 minute set), June 26, 1965 Memorial Auditorium, Sacramento, CA (supported by Sonny & Cher, Dobie Gray, Linda Dawn, The Coachmen, and The Fugitives. May 14-15, 1995 Kokusai Kouryu Center Sankel Hall, Osaka, JPN Davies eventually refused to work with Avory,[143] and called for him to be replaced by Bob Henrit, former drummer of Argent (of which Jim Rodford had also been a member). pp. Comme ses prédécesseurs, Phobia est un échec commercial[99]. Des tensions naissent au sein du groupe, donnant lieu à des incidents comme celui du concert de Cardiff, le 19 mai, durant lequel Mick Avory passe près de tuer Dave Davies en lui lançant son charleston à la figure[19],[20]. [136] The accompanying album, State of Confusion, was another commercial success, reaching number 12 in the US, but, like all the group's albums since 1967, it failed to chart in the UK. "[186] Queen guitarist Brian May credited the band with planting "the seed which grew into riff-based music. "[163] In a 2013 Skype interview Dave Davies expressed interest in doing reunion shows. "[55], A significant stylistic shift in the Kinks' music became evident in late 1965, with the appearance of singles like "A Well Respected Man" and "Dedicated Follower of Fashion", as well as the band's third album, The Kink Kontroversy,[4] on which session musician Nicky Hopkins made his first appearance with the group on keyboards. [165] On 5 November 2016, Dave Davies posted on Twitter: "Me and Ray have not spoken about Kinks shows at all – although were [sic] trying to work together on other stuff and have worked on music together". Selon Jon Savage, « il leur fallait un truc, un moyen d'attirer l'attention.


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