BOURNE AGAIN: Character is the key to Matthew Bourne's choreography, whether it's the menacing cygnets of Swan Lake or the bombed-out Brits of his new Cinderella. He is an Associate Artist and Resident Company at Sadler’s Wells with New Adventures. It’s useful to have a living choreographer around to allow you to do that. The quality of dance training in musical theatre colleges has gone up enormously – four of our Prinicipal in Sleeping Beauty are from Laine's! Home » People » Matthew Bourne talks about re-staging his iconic Swan Lake Choreographer, Matthew Bourne talks to Quays Life about re-staging his ground-breaking Swan Lake for the 21st century and the royal scandal that inspired him to transform this Tchaikovsky classic with a … A Midsummer Night’s Dream is appealing, lots of lovely characters to play with and it lends itself to movement very well. MATTHEW BOURNE: When you go along to see one of those live ballet broadcasts there will be quite a lot of people there: there’s an audience for that. A modern interpretation of … With Richard Winsor, Dominic North, Nina Goldman, Madelaine Brennan. If there’s going to be a shot, there’s going to be blood. It would never happen nowadays in ballet! His work in dance only happened by chance, as someone recommended him to Matthew Bourne when Bourne was looking for someone to create the score for his 2000 ballet The Car Man. They surprise themselves – for instance, Lana, the main female character, hadn’t realised how much she wants to get out of this place. In Giselle, when she gets the sword and stabs herself, there’s never any blood there! Go live ... At the end, Dad was surrounded by his daughters Christi Bourne, Vicki (Rob)Hill, and Kerri (Rich) Zauner. That grounding in that sort of entertainment was very important to me. I think we’re one of the few companies that does take graduates, especially when we do Swan Lake, which needs a larger company. His work includes contemporary dance and dance theatre. That was our mission when we first did Car Man, actually: bringing a truth and a reality to dance. Create a video . 26 Later, the wheat sprouted and the heads of grain grew, but the weeds also grew. She’s so powerful, old school, like watching a Victorian actress on stage. Valentine 5. The fate theme is so important, the idea of two people meeting and something that’s unplanned just happens. He was also known for his choreography for popular revivals of classic musicals. It wouldn’t be as widely seen initially, but the audience would grow. Figure 3 Matthew Bourne’s Swan Lake and Anna Pavlova 39 Figure 4 The Swan 40. Since last year we have been engaging with the contemporary schools more, and we’re going in again doing mock auditions, rep, workshops, just to see if there’s a marriage there or if they’re turning out a different kind of performer. Here is a glimpse into his impressive list of accomplishments so you can see why we all love his choreography so much. Yes, that might come. The same with Angelo, who starts off as the weaker character and becomes the stronger. Plus, it’s a lot of sexy stuff, which they always enjoy doing [chuckles]. It was great to see The Two Pigeons again lately – it brought back a lot of memories. It makes it more dramatic if there’s blood. If there’s a villain in the piece, it’s her in a way, but I try to give her a bit of sympathy – she’s a caged animal in that place. Bourne's rendering is best known for having the traditionally female parts of the swans danced by men. You ask yourself “Do the audience know this, and if not how will they get to know this?” If the answer is “I’m going to put it in a programme note”, then do something else. He has received multiple awards … by Matthew Bourne Thursday, 22 March 2018. I used to see it a lot when I first started to enjoy dance at the Opera House; I saw lots of casts, have lots of memories. 27 Then the man’s servants came to him and said, ‘You planted good seed in your field. In Sleeping Beauty, for example, people know that true love’s kiss wakes her up. It has become the longest running ballet in the West … Have many of those boys gone into professional training? Matthew also works to support the wider dance industry and to help boost its future. Simply enter your email address in the box below, Compared to films, we’re quite far behind in dance with the stories we tell. It’s the beginning of storytelling, the want to give to an audience. Lord of the Flies is an extreme version of that, in some ways, when the whole supporting cast changes in each city! Get a weekly digest of our critical highlights in your inbox each Thursday! I’ve always tried to push dance on film myself, although you can feel movie people blank over a little bit when you say there’s no words and no songs, they can’t quite imagine it. He was supported by extended family and numerous friends. Choreographers are not generally household names, but Matthew Bourne must come close. Matthew also works to support the wider dance industry and to help boost its future. Matthew started training to be a dancer at the comparatively late age of 22. Truly marvellous. Yes everything has been done before, it’s a this kind of story or a that kind of story I’m telling. It’s the first time the dance shows have been available to watch online. But dancemakers can be afraid of the obvious sometimes. And is that important for the storytelling? I love anything Ashton. In 1982, he enrolled in the Laban Centre for Movement and Dance and was awarded a BA in Dance Theatre. Extinction 8. In 2014, he received the De Valois Award for Outstanding Achievement at the National Dance Awards while was on the Queen’s New Year Honours in 2016 for services to dance. 25 That night, when everyone was asleep, his enemy came and planted weeds among the wheat and then left. Matthew makes about 20 specific references to Old Testament prophecy in relationship to Jesus. Matthew Bourne OBE, Adventures in Motion Pictures: Profession : Theatre Director, Choreographer, Dancer: Matthew Bourne OBE is an English choreographer. Or Lea Anderson, who was in the year above me at college and was very influential on me about forming a company as well as the sort of work she was doing. Despite being bored with Shakespeare on stage, have you ever been tempted to do Shakespeare yourself? Matthew Bourne turned his magic to the much-loved ballet and his bright and brilliant interruption was an instant hit. I did enjoy his Winter’s Tale, but you’ve really got to know the play. 10 Questions for Choreographer Matthew Bourne |, Dancemakers can be afraid of the obvious sometimes, 3D Dance looks Skywards with Matthew Bourne's Swan Lake, Matthew Bourne's The Car Man, Sadler's Wells, Lord of the Flies, Matthew Bourne's New Adventures, Sadler's Wells, Matthew Bourne's Swan Lake, Sadler's Wells - vivid, enchanting, Cinderella, Sadler's Wells review - Matthew Bourne puts Cinderella through the Blitz, The Royal Ballet - variations on a comeback, The Seven Deadly Sins, Opera North online review - viscerally thrilling, The Royal Ballet: Live, Within the Golden Hour review - stunning, joyous dance, Birmingham Royal Ballet, Sadler's Wells review - onward and upward, The Royal Ballet: Back on Stage review - fireworks in the Garden, Michael Clark: Cosmic Dancer, Barbican Art Gallery review - mould-breaker, ground-shaker, theartsdesk in Hamburg: Ghost Light - a ballet in the time of corona, 'She was Paris': RIP Zizi Jeanmaire (1924-2020), Dancing at Dusk: A Moment with Pina Bausch’s 'The Rite of Spring' review - an explosive African rite, 'If they had been any closer my face would have misted up': filming 'Men at the Barre'. James Elliot Bourne (born 13 September 1983 in Rochford, Essex, England) is an English singer-songwriter and musician.He is the Rhythm Guitarist, keyboardist and co-vocalist for the band Busted and the lead singer and the Rhythm guitarist for the band Son of Dork.He is also co-founder of Pop Punk bands Busted and Son of Dork as well as a solo electronic project, Future Boy. It shook up some of the dance establishment, although Bourne plays that down: "There was a lot of talk about how shocking it … I had daydreamed through many performances of Swan Lake, thinking the dancing tutus only ever conveyed one aspect of swans: their beauty gliding on water. The piece begins in 1890 and heads through the golden age of the Edwardian era on for another 100 years. A dance critic wrote in one of the weeklies the other day that ballet has lost its direction with story, and all the choreographers who’re good at story are in contemporary now. The Red Shoes is one of the first movies which brought the world of dance to the big screen and it is a film which has played a big part in the life of Matthew Bourne. Share . But he also seems to be making some implicit references as well. You don’t put synopses in your own programmes at all. His 2012 Sleeping Beauty is a typical Bourne-style re-imagining. Its one of inner turmoil and depravity, provocation … Read More Read More I always mention the ones that people know about, but actually there were people earlier, like Lindsay Kemp. He founded his first company, Adventures in Motion Pictures, in 1987 and received many awards for his work. The award culminated in a sold out performance at Sadler’s Wells, London, where his work was critically acclaimed as ‘outstanding’, ‘visually breath-taking’ and ‘spellbindingly beautiful’. To my surprise, Bourne does away with Shakespeare’s warring families and botanist monks. In 2008, he created Re:Bourne, increasing the chances that young people can find their way to a dance career as well as fund the New Adventures Choreographer Award to showcase the talent of young choreographers from around the UK. Bourne was knighted in the 2016 New Year Honours for services to dance. The quest to take something old and make it new keeps many a choreographer up at night. Obviously you weren’t around then, but were you inspired by that sort of entertainment culture? First staged at Sadler's Wells theatre in London in 1995, … In what is probably his most famous piece – his Swan Lake from 1995 that was immortalised in the final scenes of the film Billy Elliot – he took Tchaikovsky's traditional ballet and staged it with all-male swans. That’s what keeps feeding me now – I love to see straight plays more than anything else. It’s the favourite of the company to perform, actually, because it’s closer to them as people. Duncan 6. There’s a lot of dance on TV that wasn’t there 15 or 20 years ago, and there are also highly successful movies without dialogue – like L’Illusioniste and The Artist. There are too many Hamlets around – although, contradicting myself, I am absolutely thrilled that Glenda Jackson is going to be playing King Lear. 10. Matthew Bourne blends dance, humour and spectacle with extravagant, award-winning designs by Lez Brotherston, to create a provocative and powerful Swan Lake for our times. Having done Play Without Words on stage I did pitch to do a Film Without Words after that; I would have loved to develop it, but nobody wanted to so it never came about. It differs in choreography and Bourne’s version is performed by male dancers only. The mixes change, partnerships change, everything mixes up all the time. This month he’s set to become even more widely known, as a film version of his show The Car Man is shown in dozens of UK cinemas. As a teenager, he directed several amateur dance companies, despite never having had any dance lessons. He has received multiple awards and award nominations, including the Laurence Olivier Award, Tony Award and Drama Desk Award, and he has also received several Honorary Doctorates of Arts from UK universities. But they were big for me, theatrical influences. He has choreographed for West End musicals and done his own play for the National Theatre (Play Without Words). It’s confirmed we’re going to do it in Australia next year, which is brilliant! Bourne, who was knighted in the 2016 New Year Honours for services to dance, does far more than reinvent well known ballets and operas, of course. Matthew Bourne talks about his war-torn take on the classic ballet. His fascination with the world of dance started when he was an avid autograph hunter outside the West End theatres from the age of 14. It’s really nasty! This must be the most heartwarming and sophisticatedly rewarding Christmas show in London, filled with a huge love of the city and a moving homage to humanity in wartime. I have a different view on story pieces to some people: when I see a list of very complicated names and historical figures in a programme I feel as if I need to know too much ahead of it. When Matthew Bourne’s version first appeared, at the Sadler’s Wells stage in London in 1995, it turned this story on its head. It also reminds me of reading something by the late writer Vladimir Nabokov – yes, might we say “positively Nabokovian” – dazzling in the layers and turns of the story but always with a hyper-awareness of the brilliant and eclectic mind behind them. “The charismatic dancer, Rudolf Nureyev, created a Swan Lake, insofar as choreography, which, contrary to previous productions, made the Prince the principal character in the dramatic action: first of all sad, prey to “melancholy”, then in love, finally deceived and ending up destroyed. At the same time as releasing the recording of one of Sir Matthew Bourne’s latest ventures, Romeo + Juliet, his team has also taken the opportunity to release what many will regard as the choreographer’s magnum opus, Swan Lake. I think Sadler’s Wells should move into it more, not just the Opera House. I always figure that’s storytelling, asking “How far can we go with that?” The more you’re into one state, the more you’ll feel when it changes. I saw her years ago when I was a kid and she’s an amazing stage actress. 1 INTRODUCTION In the twenty first century, over a hundred years after its conception, it is difficult to find a ballet company that has not performed Swan Lake. I try to subvert the clichés: the lead figure male ends up being impotent, uninteresting, a drunk and a slob, not the man she thought she was with at the beginning, and she becomes the stronger figure – she’s the one who shoots him at the end. Who do you think is unmissable? In 2012, he was the winner of the inaugural New Adventures Choreographer Award, selected by Matthew Bourne for his ‘refreshing desire to entertain’. It was the longest-running ballet in London's West End and on Broadway. Sir Matthew Bourne, one of dance’s great storytellers, is focused on what he calls “The Big Idea” — the clever, crowd-pleasing modern makeover. Not only does his company tour frequently and widely, with a Christmas run at Sadler’s Wells that many families regard as an essential fixture of their seasonal celebrations, his pieces have also been seen on Sky, on the BBC, and on film, most famously when his Swan Lake featured at the end of the 2000 … He was strong and brave and kind and a great listener even in his final days. Since then, Joaquin has been constantly working in the creation of new choreographies and musicals. Yes, I like the freedom. That has been a great project. Matthew is genuinely a nice chap with a real sense of composure and a likeability factor that is reflected in his attitude to his dancers, he views them all as family. They do a lot of shows, plus daily class, and lots of rehearsals for new casts coming in. He then went on to dance professionally for almost 15 years including many parts in his own work. A tragedy inspired him to act. The showcase performance was held at Sadler’s Wells on 7th September 2012 in front of a sold out audience. Those things interested me: the psychological arc of the individual characters and how it affects everyone else around them The twist in the middle really gets me, where effectively Angelo gets punished for what the others did. New Adventures was launched in 2002 with co-director Robert Noble. His take on the classic tale, with his company New Adventures is far more menacing and somber than the original. His 2016 ballet "The Red Shoes" was set to be performed in Korea last year, but was canceled due to the Covid-19 pandemic. The 1990s finished with a production of Cinderella and then finally The Car Man in 2000. Bourne's rendering is best known for having the traditionally female parts of the swans danced by men. Do you let people have a lot of freedom in interpreting roles? And lots of them are in training. Sir Matthew Christopher Bourne OBE is an English choreographer whose work includes contemporary dance and dance theatre. An insight into Matthew Bourne's choreographic approach and stylistic features. Directed by Ross MacGibbon, Matthew Bourne. Since 1876, Tchaikovsky's iconic ballet "Swan Lake" has spread its wings to take on many forms, the unique of which was the 1995 production by Matthew Bourne. There’s a great book called The Seven Basic Plots [by Christopher Booker, 2004] – I love that book; it supports me in everything I do. They come to our shows when we’re in the city and we catch up with them. As a story, I found it curious because there doesn’t seem to be an obvious motive force for what goes on it; the whole, violent spiral seems to kick off just for the slightest of reasons. Your fondness for simple plots that everyone knows makes me think of George Lucas, who famously used Joseph Campbell’s The Hero with a Thousand Faces (1949) for inspiration when writing Star Wars. A lot of people thought it was a bit Mills and Boon, but I thought it was a good way of winning people over, very cleverly done, and beautifully done. And the dancers are happy to do it. In August 2011, James was announced as the first winner of the inaugural New Adventures Choreographer Award, receiving in excess of £15,000 to create his own showcase, as well as being mentored by Matthew Bourne. My background in entertainment started long before I knew anything about dance. Choreographers are not generally household names, but Matthew Bourne must come close. As well as the works of his own company, Matthew has worked on many other projects. Candela (for Sascha Heeney) 9. The first excerpt to be considered is Swan Lake choreographed by Matthew Bourne (“Matthew Bourne’s Swan Lake 2”). Not only does his company tour frequently and widely, with a Christmas run at Sadler’s Wells that many families regard as an essential fixture of their seasonal celebrations, his pieces have also been seen on Sky, on the BBC, and on film, most famously when his Swan Lake featured at the end of the 2000 movie Billy Elliot. It’s very strict and over the years that discipline has grown and grown – mainly brought in by Etta Murfitt (Associate Director of New Adventures), who’s very strong on all that stuff. Any thing that’s a bit supernatural or otherwordly like Dream or The Tempest would be good. I enjoy watching things like that, partly because I think “Oh, I could never do that.” You admire things that aren’t your strong point, whereas it’s harder for me to watch a story piece. Isotach 2. Those schools have been more enthusiastic about engaging with us as well. Special bond: Adam Cooper and Scott Ambler as Swan and Prince in Bourne's Swan Lake. It is a detailed meditation of Bourne’s particular interests and personal processes, a reflection on his own work rather than a dance maker’s manual. 24 Then Jesus told them another story: “The kingdom of heaven is like a man who planted good seed in his field. Beauty Awakens: Matthew Bourne’s multi-layered revision of a classic Astrid Bernkopf, Middlesex University Bourne’s Sleeping Beauty draws on a variety of intertextual references to create a dark re-reading of the fairy tale and ballet. The content of this field is kept private and will not be shown publicly. Not only does his company tour frequently and widely, with a Christmas run at Sadler’s Wells that many families regard as an essential fixture of their seasonal celebrations, his pieces have also been seen on Sky, on the BBC, and on film, most famously when his Swan Lake featured at the end of the 2000 movie Billy Elliot. It’s been an interesting year for that. These include choreography for classic musicals such as Cameron Mackintosh’s Oliver! I sometimes forget to mention the people who have disappeared off the scene. Matthew Bourne's Swan Lake is a contemporary ballet based on the Russian romantic work Swan Lake, from which it takes the music by Tchaikovsky and the broad outline of the plot. They get very involved with it. Matthew Bourne's New Adventures company has, of course, produced some of the most successful dance theatre productions of recent times, including those other ballet classics Nutcracker! Isogone (for Howie Reeve) Following his celebrated moogmemory project, Matthew Bourne returns to the piano for Isotach. Isopleth 4. Car Man was a reaction to some of that, to try and make dance theatre more realistic. Bourne is a man who doesn't buy into the expected tradition of things. He has worked for over 30 years creating musicals, opera, films and theatre as well as running his own award-winning companies. I’m very into that: simple storytelling, communication. I go to a lot of ballet; it’s what I first loved about dance, even before contemporary dance. We are always inspired by great dancers and choreographers with an independent spirit, to start your dance journey visit our website for a dance class in North Tyneside www.jadeharrisonschoolofdance.co.uk, HomeAbout Our TeamTimetables & PricesClassesOur ShopGalleryBlogContactPrivacy Policy, Tel: 0191 2570995 Mobile: 0777 5632024 Email: JadeHarrisDance@aol.com Copyright Jade Harrison School of Dance - All Rights Reserved Website Design by Digital Yak, Who is Matthew Bourne and Why We Love his Choreography. Read our interview with Matthew Bourne … We even got as far as doing recces up in Scotland for filming Highland Fling, but it never happened because the title wasn’t so well-known. His brief solo, clad in a scarlet smoking jacket, pounds with emotion without sacrificing his razor sharp technique. But luckily for Korean audiences, the LG Arts Center will present the "Matthew Bourne Collection" on Naver TV every Friday and Saturday throughout March. I’m happy that The Caretaker’s coming back and I saw The Homecoming – I’m a big Pinter fan. So how does this relate to his contributions to the developments of the ICDSIB? For over 30 years he has been creating and directing dance for musicals, theatre, film as well as his own highly successful, award-winning companies. Matthew Bourne, in full Sir Matthew Bourne, (born January 13, 1960, Hackney, London, England), British choreographer and dancer noted for his uniquely updated interpretations of traditional ballet repertoire. I did it with the prince in Swan Lake too: I wanted him to have more things to be unhappy about before he gets to meet the Swan. As with many of the great ballets, there have been, and continue to be, different interpretations of The Nutcracker. The charitable arm of the company, Re:Bourne, sponsors a £40,000 choreography award, and does impressive amounts of outreach work, including running dance workshops for thousands of boys and young men across the UK as part of the 2014 Lord of the Flies tour. Matthew Bourne’s Early Adventures — a jolly show at Sadler’s Wells, London. If we’re going to have sex, we’re really going to go for it; if we’re going to kiss, we’re going to kiss. His early passions were movies: "I used to re-create whole films from memory," he says, laughing at his own youthful cheek, "and charge people to come and watch. I did the same with Strapless (pictured right): I just waited to see if the piece could tell me the story. Bourne entered the world of dance relatively late. We get most of our performers now from either ballet or musical theatre, very few from contemporary. He’s an astute businessman, having run his company – previously Adventures in Motion Pictures, now New Adventures – for 30 years with only intermittent Arts Council funding. Audiences like to be clear, generally, so they can allow themselves to give to the piece in some way. Someone described it as a passionate kiss and I thought, that’s not a passionate kiss, it’s just a peck on the cheek – father and son it looked like to me! His company is one of the UK's busiest and most successful dance troupes.All of this might give Bourne grounds for complacency, if not arrogance, but the affable London native shows no signs of either when we meet at Sadler’s Wells for a chat about storytelling, Shakespeare, and dance on the big screen. ! ' for popular revivals of classic musicals choreographer up at night Transitions, the how does matthew bourne create his choreographies is! 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